O'Grady, KA (2013) Exploring radical openness: a porous model for relational festival performance. Studies in Theatre and Performance, 33 (2). 133 - 151 (19). ISSN 1468-2761
Abstract
Popular music festivals are convivial spaces where paradigms of play and participation proliferate. ‘Exploring Radical Openness’ investigates the concept of relational performance where encounter and dynamic exchange are prioritized. Drawing on extensive practice-based research conducted predominantly within the UK festival circuit, it provides a model for interactivity that not only acknowledges the inherent unpredictability of the festival site but also exploits it in the pursuit of inclusivity and radical openness.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | (c) 2013, Intellect. This is an Accepted Manuscript of an article published by Taylor & Francis in Studies in Theatre and Performance on 1st May 2013, available online: http://www.tandfonline.com/10.1386/stap.33.2.133_1 |
Keywords: | festival; interaction; participation; play; radical openness; relational performance |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > Performance and Cultural Industries (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 19 Jun 2014 10:45 |
Last Modified: | 03 Nov 2014 07:51 |
Published Version: | http://dx.doi.org/10.1386/stap.33.2.133_1 |
Status: | Published |
Publisher: | Intellect |
Identification Number: | 10.1386/stap.33.2.133_1 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:79202 |