Boukla, E. orcid.org/0000-0001-9927-7525 (2025) To Stand Despite All Possibilities to Fall. CePRA (4). ISSN: 2754-4265
Abstract
‘To Stand Despite All Possibilities to Fall’ reimagines the Zeibekiko dance, exploring its interplay with slowness, self-awareness, and a meta-pictorialism drawn from mid-20th-century Greek cinema. Drawing inspiration from Aristotle’s concept of tragedy as a form of mimesis (imitation) designed as an action to provoke catharsis, this work emphasises Zeibekiko’s role as an inherent cultural expression of felt emotion and resilience. The dance engages with rhythm, not through set steps. The dancer improvises as he moves in peripatetic motion, at times with his arms wide open, almost ready to soar, and at times falling to his knees, striking his palm to break the ground to enter Hades, a mimetic performance of lived experiences of loss, resilience, and a moment’s freedom through solitude as an action intending to provoke catharsis.
Metadata
| Item Type: | Article |
|---|---|
| Authors/Creators: |
|
| Copyright, Publisher and Additional Information: | This is an author produced version of an article published in CePRA Journal. Uploaded in accordance with the publisher's self-archiving policy. |
| Dates: |
|
| Institution: | The University of Leeds |
| Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Design (Leeds) |
| Date Deposited: | 19 May 2025 15:31 |
| Last Modified: | 24 Feb 2026 15:50 |
| Published Version: | https://cepra.leeds.ac.uk/cepra-journal/journal-is... |
| Status: | Published |
| Publisher: | Centre for Practice Research in the Arts, University of Leeds. |
| Related URLs: | |
| Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:226722 |

CORE (COnnecting REpositories)
CORE (COnnecting REpositories)