Knowles, T. (2017) English folk law: a brief introduction to pub licensing. International Journal of Traditional Arts, 1 (1). ISSN 2631-6064
Abstract
The impact of government policy on live music in Britain is only recently being explored in academic work (e.g. Cloonan 2011). This article provides a brief introduction to the Licensing Act 2003, and the Live Music Act 2012, discussing their impact on the ability of venues to host live music and dance, with particular reference to the folk arts. It concludes that whilst the Live Music Act has opened up performance opportunities, fully licensed venues are still likely to remain preferable for performers.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | © 2017 Tim Knowles. This work is licensed under a Creative Commons Attribution 4.0 International License. (http://creativecommons.org/licenses/by/4.0/) |
Dates: |
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Institution: | The University of Sheffield |
Academic Units: | The University of Sheffield > Faculty of Arts and Humanities (Sheffield) > Department of Music (Sheffield) |
Depositing User: | Symplectic Sheffield |
Date Deposited: | 19 Jan 2021 14:38 |
Last Modified: | 19 Jan 2021 18:44 |
Published Version: | https://tradartsjournal.org/index.php/ijta/article... |
Status: | Published |
Publisher: | Newcastle University |
Refereed: | Yes |
Related URLs: | |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:169914 |
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Filename: Knowles 2017 - English Folk Law A Brief Introduction to Pub Licensing.pdf
Licence: CC-BY 4.0