Burley, M orcid.org/0000-0002-7446-3564 (2021) ‘That’s What Art Does’: Disclosing Religious and Ethical Possibilities Through Film. Sophia, 60. pp. 1047-1064. ISSN 0038-1527
Abstract
The significance of narrative artworks as resources for, and possibly as instances of, philosophical thinking has increasingly been recognized over recent decades. Utilization of such resources in philosophy of religion has, however, been limited. Focusing on film in particular, this article develops an account of film’s importance for a ‘contemplative’ approach to philosophizing about religious ethics, an approach that prioritizes the elucidation of possibilities of sense over the evaluation of ‘truth claims’. Taking Dead Man Walking as a case in point, the article shows how this film facilitates an enhanced comprehension of specific concepts, most notably the concepts of faith, truth and love, as they feature within a characteristically Christian form of life.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | © The Author(s) 2021. This is an open access article under the terms of the Creative Commons Attribution 4.0 International License (CC BY 4.0) (https://creativecommons.org/licenses/by/4.0/) |
Keywords: | Christian ethics; Dead Man Walking; Death penalty; Film; Philosophy of religion |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Philosophy, Religion and History of Science (Leeds) > Theology and Religious Studies (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 14 Sep 2020 15:52 |
Last Modified: | 21 Mar 2022 15:40 |
Status: | Published |
Publisher: | Springer |
Identification Number: | 10.1007/s11841-020-00794-5 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:165438 |
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