Wilson, LK (2018) (Mythologies of) diving, flying and in-between. Studies in Theatre and Performance, 38 (3). pp. 313-327. ISSN 1468-2761
Abstract
This paper builds on the half-remembered reading of an interview with artist and deep-sea diver Ian Munroe to discuss how artists intervene into scientific research laboratories and other unusual environments. In the process, these embodied practices can be argued to evoke Baradian ‘intra-actions’ in being productive of situated forms of knowing that question the separation of the subject and object of enquiry.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Editors: |
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Copyright, Publisher and Additional Information: | © 2018 Informa UK Limited, trading as Taylor & Francis Group. This is an Accepted Manuscript of an article published by Taylor & Francis in Studies in Theatre and Performance on 11 Sep 2018, available online: https://doi.org/10.1080/14682761.2018.1509185. |
Keywords: | Ian Munroe; deep-sea diving; zero gravity; experimental subjects; lab culture; performative arts practice |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Design (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 11 Sep 2018 10:07 |
Last Modified: | 02 Apr 2020 01:03 |
Status: | Published |
Publisher: | Taylor & Francis |
Identification Number: | 10.1080/14682761.2018.1509185 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:135550 |
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