O'Grady, A, ed. (2017) Risk, Participation and Performance Practice: critical vulnerabilities in a precarious world. Palgrave Macmillan , Cham, Switzerland ISBN 978-3-319-63241-4
Abstract
This book explores a range of contemporary performance practices that engage spectators physically and emotionally through active engagement and critical involvement. It considers how risk has been re-configured, re-presented and re-packaged for new audiences with a thirst for performances that promote, encourage and embrace risky encounters in a variety of forms. The collection brings together established voices on performance and risk research and draws them into conversation with next generation academic-practitioners in a dynamic reappraisal of what it means to risk oneself through the act of making and participating in performance practice. It takes into account the work of other performance scholars for whom risk and precarity are central concerns, but seeks to move the debate forwards in response to a rapidly changing world where risk is higher on the political, economic and cultural agenda than ever before.
Metadata
Item Type: | Book |
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Editors: |
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Keywords: | participatory performance; risky aesthetics; risk and aesthetics; performance and vunerability; audience risk |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > Performance and Cultural Industries (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 18 Dec 2017 10:24 |
Last Modified: | 18 Dec 2017 10:24 |
Published Version: | http://www.palgrave.com/us/book/9783319632414 |
Status: | Published |
Publisher: | Palgrave Macmillan |
Identification Number: | 10.1007/978-3-319-63242-1 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:125245 |