Korhonen, P and Cathcart, A (2017) Tradition and Legitimation in North Korea: The Role of the Moranbong Band. Review of Korean Studies, 20 (2). pp. 7-32. ISSN 1229-0076
Abstract
Since its debut in 2012, the Moranbong Band has served as a key symbol for the Kim Jong Un-era ruling style, limited cosmopolitanism, and ultimately political conservatism. This article analyses the legitimacy strategies of North Korean official culture in the light of perceived internal needs for change, even as the foundations of the traditional personality cult remain intact and strengthened by the Band’s performances. Analysis of musical performances online and relevant comparative literature on North Korean music form the core of the article. Finally, the article shows the arc from the Band as an innovative symbol of possible liberalization into a far more conservative implement as time has gone on. Because North Korea remains staunchly fixed as both the target and agent of a classical war propaganda campaign, the country is far more renowned for missile tests, purges and labor camps than for its music; this paper argues that culture is also a relevant aspect of North Korean life, and a significant carrier of political legitimacy.
Metadata
Item Type: | Article |
---|---|
Authors/Creators: |
|
Keywords: | Moranbong Band; North Korea; music and politics; Kim Jong Un |
Dates: |
|
Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of History (Leeds) |
Funding Information: | Funder Grant number Academy of Korean Studies AKS-2015-R49 |
Depositing User: | Symplectic Publications |
Date Deposited: | 10 Feb 2017 16:41 |
Last Modified: | 28 Feb 2024 14:28 |
Status: | Published |
Publisher: | The Academy of Korean Studies |
Identification Number: | 10.25024/review.2017.20.2.001 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:111882 |