Parry, K orcid.org/0000-0003-3654-6489 (2018) Private pictures and public secrets: Responding to transgressive soldier-produced imagery in United Kingdom news. Journalism Studies, 19 (8). pp. 1098-1115. ISSN 1461-670X
Abstract
New media technologies present greater opportunities for the unguarded and personalized aspects of war to be shared in public spaces, including an element that militaries prefer remains unseen: the depiction of “our boys” killing. This article examines how soldiers’ transgressive visual practices of posing with dead bodies during the war in Afghanistan are re-presented in the mainstream UK press, and analyses the reactions garnered from group interviews with serving military media operations personnel, veterans’ groups and forces' families.
Contradictory impulses are revealed in the news media’s outraged revelling in the presumed scandal, and in the focus group participant responses, many of whom reject the premise for the news story whilst also acknowledging common experiences of combat and the desire to show others “what war’s like”. The article therefore contributes to debates on the news mediation of amateur snapshot images, the imbrication of photographic practices in wartime experience, and the limitations of the news media as national moral arbiters. In prioritizing a methodological and analytical focus on the (military) audience rather than the news coverage, the article highlights how engagement with journalistic images and texts can act as a catalyst for identity-affirmation and for thinking critically about the military-media nexus.
Metadata
Item Type: | Article |
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Authors/Creators: | |
Copyright, Publisher and Additional Information: | © 2016 Informa UK Limited, trading as Taylor & Francis Group. This is an Accepted Manuscript of an article published by Taylor & Francis in Journalism Studies on 9 Dec 2016, available online: https://doi.org/10.1080/1461670X.2016.1261633. Uploaded in accordance with the publisher's self-archiving policy. |
Keywords: | Afghanistan; focus groups; killing; military; photography; mediation; transgression; war |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > School of Media & Communication (Leeds) |
Funding Information: | Funder Grant number British Academy SG130350 |
Depositing User: | Symplectic Publications |
Date Deposited: | 21 Nov 2016 10:29 |
Last Modified: | 09 Jun 2018 00:38 |
Published Version: | https://doi.org/10.1080/1461670X.2016.1261633 |
Status: | Published |
Publisher: | Taylor & Francis |
Identification Number: | 10.1080/1461670X.2016.1261633 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:107913 |