Beethoven recordings reviewed: a systematic method for mapping the content of music performance criticism

Allesandri, E., Williamson, V.J., Eiholzer, H. et al. (1 more author) (2015) Beethoven recordings reviewed: a systematic method for mapping the content of music performance criticism. Frontiers in Psychology, 6. 57. ISSN 1664-1078

Abstract

Metadata

Authors/Creators:
  • Allesandri, E.
  • Williamson, V.J.
  • Eiholzer, H.
  • Williamon, A.
Copyright, Publisher and Additional Information: © 2015 Alessandri, Williamson, Eiholzer and Williamon. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY) (http://creativecommons.org/licenses/by/4.0/). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
Keywords: music criticism; performance; aesthetic judgment; Beethoven; recordings
Dates:
  • Published: 17 February 2015
Institution: The University of Sheffield
Academic Units: The University of Sheffield > Faculty of Arts and Humanities (Sheffield) > Department of Music (Sheffield)
Depositing User: Symplectic Sheffield
Date Deposited: 27 Oct 2015 15:08
Last Modified: 27 Oct 2015 15:13
Published Version: https://doi.org/10.3389/fpsyg.2015.00057
Status: Published
Publisher: Frontiers
Refereed: Yes
Identification Number: https://doi.org/10.3389/fpsyg.2015.00057

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