Using historical accounts of harpsichord touch to empirically investigate the production and perception of dynamics on the 1788 Taskin.

MacRitchie, J. orcid.org/0000-0003-4183-6552 and Nuti, G. (2015) Using historical accounts of harpsichord touch to empirically investigate the production and perception of dynamics on the 1788 Taskin. Frontiers in Psychology, 6. 183. ISSN 1664-1078

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Copyright, Publisher and Additional Information: © 2015 MacRitchie and Nuti. This is an open-access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/). The use, distribution or reproduction in other forums is permitted, provided the original author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms.
Keywords: acoustics; dynamics; harpsichord; music performance; perception; touch
Dates:
  • Accepted: 5 February 2015
  • Published (online): 11 March 2015
  • Published: 11 March 2015
Institution: The University of Sheffield
Academic Units: The University of Sheffield > Faculty of Arts and Humanities (Sheffield) > Department of Music (Sheffield)
Depositing User: Symplectic Sheffield
Date Deposited: 12 Feb 2021 17:04
Last Modified: 12 Feb 2021 17:04
Status: Published
Publisher: Frontiers Media
Refereed: Yes
Identification Number: https://doi.org/10.3389/fpsyg.2015.00183
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