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Number of items at this level: 99.


Bashforth, M, Benson, M, Boon, T et al. (20 more authors) (2017) Socialising heritage/socialising legacy. In: Facer, K and Pahl, K, (eds.) Valuing the impact of collaborative research: Theory, methods and tools. Policy Press , Bristol, UK . ISBN 978-1447331629

Brigham, R, Brigham, L, Brown, P et al. (1 more author) (2016) Living with History in York: Increasing participation from where you are. In: Chitty, G, (ed.) Heritage, Conservation and Communities : Engagement, participation and capacity building. Routledge , Abingdon, UK . ISBN 9781472468000 (In Press)

Bristol, KAC (2016) A Tale of Two Sales: Sir Rowland Winn and No.11 St James’s Square, London, 1766-1787. History of Retailing and Consumption, 2 (1). pp. 9-24. ISSN 2373-518X

Brownlee-Chapman, C, Chapman, R, Eardley, C et al. (13 more authors) (2017) Between speaking out in public and being person-centred: Collaboratively designing an inclusive archive of learning disability history. International Journal of Heritage Studies. ISSN 1352-7258

Büchler, P (2017) Somebody's Got To Do It: Selected Writings by Pavel Büchler Since 1987. Ridinghouse , London, UK . ISBN 9781909932319 (In Press)


Chare, N and Williams, DP (2016) Questions of Filiation: From the Scrolls of Auschwitz to Son of Saul. Mémoires en jeu / Memories at stake, 2. pp. 63-72. ISSN 2497-2711

Checketts, RS (2014) Shaftesbury's Theory of Art: Substance and Virtue. Oxford Art Journal, 37 (1). 83 - 98. ISSN 0142-6540


Ferguson, CM (2016) ‘Descriptor, Bernice Donszelmann’, Five Years Gallery, London. Journal of Contemporary Painting, 2 (2). pp. 301-334. ISSN 2052-6695

Ferguson, CM (2017) The Facade and the Picture Plane. Journal of Contemporary Painting, 3 (1-2). pp. 101-117. ISSN 2052-6695

Frojmovic, E (2016) Christian Illuminators, Jewish Patrons, and the Gender of the Jewish Book. Ars Judaica: The Bar-Ilan Journal of Jewish Art. ISSN 1565-6721 (In Press)

Frojmovic, E (2015) Feasting at the Lord's Table. Images: a journal of Jewish art and visual culture, 7 (1). pp. 5-21. ISSN 1871-7993

Frojmovic, E (2015) Inscribing Piety in Late-Thirteenth-Century Perpignan. In: del Barco, J, (ed.) The Late Medieval Hebrew Book in the Western Mediterranean: Hebrew Manuscripts and Incunabula in Context. Études sur le judaïsme médiéval, 65 . Brill , Leiden , pp. 107-147. ISBN 9789004250062

Frojmovic, E (2017) Postcolonising the Medieval Image. Routledge , Abingdon, Oxon . ISBN 9781315232164


Graham, H, Mason, R and Nayling, N (2013) The Personal is Still Political: Museums, Participation and Copyright. Museum and Society, 11 (2). 105 - 121. ISSN 1479-8360

Graham, HC (2017) Horizontality: Tactical Politics for Participation and Museums. In: Onciul, B, Stefano, ML and Hawke, S, (eds.) Engaging Heritage: Engaging Communities. Heritage Matters . Boydell and Brewer , Suffolk . ISBN 9781783271658 (In Press)

Graham, HC (2010) How the tea is made; or, The scaling of 'everyday life' in changing services for 'people with learning disabilities'. British Journal of Learning Disabilities, 82 (2). 133 - 143 (10). ISSN 1468-3156

Graham, HC (2015) Legitimate expertise: how decisions are made. Context: The Institute of Historic Building Conservation, 142. pp. 15-17.

Graham, HC (2015) Local Character. RSA Journal, 2015 (3). pp. 40-41. ISSN 0958-0433

Graham, HC (2016) Museums are not representative (and this is a good thing for participation). In: McSweeney, K and Kavanagh, J, (eds.) Museum Participation: New directions for Audience Collaboration. MuseumsEtc , Edinburgh . ISBN 978-1-910144-79-4

Graham, HC (2009) Oral History, "Learning Disability" and Pedagogies of Self. Oral History, 37 (1). 85 - 94 (9). ISSN 0143-0955

Graham, HC (2009) Policy Review: Department of Culture, Media and Sport's Peer Review Pilot. Cultural Trends, 18 (4). 323 - 331 (8). ISSN 0954-8963

Graham, HC (2017) Publics and Commons: The problem of inclusion for participation. ARKEN Bulletin, 7. pp. 150-167. ISSN 1602-9402

Graham, HC (2012) Scaling Governmentality: Museums, Co-production and re-calibrations of the 'logic of culture'. Cultural Studies, 26 (4). 565 - 592 (28). ISSN 0950-2386

Graham, HC (2010) To Label the Label?: 'Learning Disability', and Exhibiting 'Critical Proximity'. In: Sandell, R, Dodd, J and Garland-Thomson, R, (eds.) Re-Presenting Disability. Routledge , 115 - 129 (14). ISBN 9780415494731

Graham, HC (2016) The ‘co’ in co-production: Museums, community participation and Science and Technology Studies. Science Museum Group Journal, 5. ISSN 2054-5770

Graham, HC, Hill, K, Holland, T et al. (1 more author) (2015) When the workshop is working: The role of artists in collaborative research with young people and communities. Qualitative Research Journal, 15 (4). 404 - 415. ISSN 1443-9883

Graham, HC, Mason, R and Nayling, N (2011) Earning Legitimacy: Participation, Intellectual Property and Informed Consent. Research Report.


Harrison Moore, A and Gooday, G (2016) True Ornament? The Art and Industry of Electric Lighting in the Home, 1889-1902. In: Wade, R, Williams, G and Nichols, K, (eds.) Art versus Industry? New Perspectives on Visual and Industrial Cultures in Nineteenth-Century Britain. Manchester University Press , Manchester , pp. 158-178. ISBN 978-0-7190-9646-4


Jackson, D (2017) Katharina Alsen and Annika Landmann: Nordic Painting: The Rise of Modernity. Kunst og Kultur, 100 (4). pp. 236-238. ISSN 1504-3029


Karkov, CE (2014) The Anglo-Saxon World (Review). Journal of Anthropological Research, 70 (4). 635 - 635. ISSN 2153-3806

Karkov, CE (2017) The Franks Casket speaks back: The bones of the past, the becoming of England. In: Frojmovic, E and Karkov, CE, (eds.) Postcolonising the Medieval Image. Routledge , Abingdon, Oxon UK , pp. 37-61. ISBN 9781472481665

Karkov, CE (2016) Hagar and Ishmael: the Uncanny and the Exile. In: Zacher, S, (ed.) Imagining the Jew in Anglo-Saxon Literature and Culture. University of Toronto Press , Toronto , pp. 197-218. ISBN 9781442646674

Karkov, CE (2016) Hoards, hoarders, and other broken things. postmedieval: a journal of medieval cultural studies, 7 (3). pp. 456-468. ISSN 2040-5960

Karkov, CE (2016) Reading the Trinity in the Harley Psalter. In: Cambridge, E and Hawkes, J, (eds.) Crossing Boundaries: Interdisciplinary Approaches to the Art, Material Culture, Language and Literature of the Early Medieval World. Oxbow Books , Oxford . ISBN 9781785703072

Karkov, CE (2014) Reviews: Lilla Kopar, Gods and Settlers: The Iconography of Norse Mythology in Anglo-Scandinavian Sculpture (Turnhout: Brepols, 2012). Northern History, 51 (1). 193 - 194. ISSN 0078-172X

Knifton, RH (2017) Art, Town and Gown: Siting Public Artworks in Kingston upon Thames. In: Vasilikou, C and Castoro, M, (eds.) TBC. McFarland Publishing . (In Press)

Knifton, RH and Leonard, M (2017) Introduction: Special Issue on Popular Music and Heritage. Popular Music History, 10 (2). pp. 107-112. ISSN 1740-7133

Knifton, RH and Lloyd, F (2017) Multisensorial Dynamics: Encountering and Capturing the Intangible Heritage of the Art School in Britain. Studies in Material Thinking, 17. ISSN 1177-6234 (In Press)

Knifton, RH and Micklethwaite, P (2017) Climate Change. Design Teaching for a New Reality. In: TBC. Design for Next - 12th European Academy of Design Conference, 12-14 Apr 2017, Sapienza University of Rome. . (In Press)


Leonard, M and Knifton, R (2017) A critical survey of museum collections of popular music in the United Kingdom. Popular Music History, 10 (2). pp. 171-191. ISSN 1740-7133

Lewandowski, S and Belinfante, S The reversing machine: a theatre of Kairos and Chronos. UNSPECIFIED. (In Press)


Mainz, V (2016) The Inequalities of Infamy. Oxford Art Journal, 39 (2). pp. 217-227. ISSN 0142-6540

Mainz, VS (2017) Nationalizing France's Army: Foreign, Black, and Jewish Troops in the French Military, 1715-1831. By Christopher J. Tozzi. French Studies, 71 (4). pp. 574-575. ISSN 0016-1128

Mainz, VS (2017) Satire, prints and theatricality in the French Revolution. By Claire Trévien. French Studies, 71 (4). pp. 579-580. ISSN 0016-1128

Mainz, VS (2014) The politics of the provisional: art and ephemera in revolutionary France. French Studies, 68 (4). 550 - 551. ISSN 0016-1128

Mitchell, E (2017) The Girl and Simone de Beauvoir’s The Second Sex: Feminine Becomings. Australian Feminist Studies, 32 (93). pp. 259-275. ISSN 0816-4649

Morgan, D (2007) Cosmopolitics and the emergence of the future. Palgrave Macmillan . ISBN 9780230001527

Morgan, D (2009) Trading hospitality: Kant, cosmopolitics and commercium. Paragraph: a journal of modern critical theory, 32 (1). 105 - 122. ISSN 0264-8334

Morgan, DL (2016) Anarchism, Utopianism and Hospitality: The Work of René Schérer. Modern and Contemporary France, 24 (2). pp. 161-177. ISSN 0963-9489

Morgan, DL (2017) Bunker Conversion and the Overcoming of Siege Mentality. Textual Practice, 31 (7). pp. 1333-1360. ISSN 0950-236X

Morgan, DL (2013) "The Camel (the Ship of the Desert)”: “Fluid Geography”, Globality and Cosmopolitics in the Work of Immanuel Kant. In: Bastos da Silva, J, (ed.) The Epistemology of Utopia: Rhetoric, Theory and Imagination. Utopian Studies Society Conference, 01 Jul 2009, Porto, Portugal. Cambridge Scholars Publishing , pp. 120-139. ISBN 9781443846257

Morgan, DL (2014) The "Floating Asylum," the Armée du salut, and Le Corbusier: A Modernist Heterotopian/Utopian Project. Utopian Studies, 25 (1). pp. 87-124. ISSN 1045-991X

Morgan, DL (2014) Globus terraqueus: Cosmopolitan Right, "Fluid Geography" and Commercium in the Utopian Thinking of Immanuel Kant and Pierre-Joseph Proudhon. In: Sarat, A, Douglas, L and Umphrey, MM, (eds.) Law and the Utopian Imagination. The Amherst Series in Law, Jurisprudence, and Social Thought . Stanford University Press , Stanford, California , pp. 126-154. ISBN 9780804790819

Morgan, DL (2014) Globus terraqueus: cosmopolitan right, "fluid geography" and commercium in the utopian thinking of Immanual Kant and Pierre-Joseph Proudhom. In: Sarat, A, Douglas, L and Umphrey, M, (eds.) Law and the utopian imagination. Amherst Series in Law, Jurisprudence and Social Thought . Stanford University Press , 126 - 154. ISBN 0804790817

Morgan, DL (2014) “Je monte, je valide”: les machines nous parlent et parlent à notre place. Faut-il s’orienter autrement? Ici et ailleurs: Association pour une Philosophie Nomade.

Morgan, DL (2015) La nature morte ouvre bien l'appétit: la gastrosophie et le jugement esthétique. In: Irodotou, C, (ed.) Mélanges offerts à René Schérer. Editions L'Harmattan , France . ISBN 978-2-343-07527-3

Morgan, DL (2015) La transmission dans le temps de l’Idée : « ce météore [lancé] sur les masses électrisées ». Revue d’études proudhoniennes, 1. pp. 64-71. ISSN 2491-0074

Morgan, DL (2011) Saint-Simon, Fourier, and Proudhon: "Utopian" French socialism. In: Schrift, AD, (ed.) The history of continental philosophy. University of Chicago Press , 265 - 304. ISBN 0226740463

Morgan, DL (2014) The flat management of “crises” on our spherical planet: anarchist order for a sustainable future. In: Gallardo, P and Russell, E, (eds.) Yesterday's Tomorrows: On Utopia and Dystopia. Cambridge Scholars Publishing , Newcastle upon Tyne , pp. 59-71. ISBN 1-4438-5588-X

Morgan, DL and Ansell-Pearson, K (2000) Nihilism now!: “Monsters of energy”. Palgrave Macmillan . ISBN 0312232098

Mowitt, J (2016) On Trying: Andre Hodeir and the Music Essay. Amodern, 6.

Mowitt, J (2015) Was of the Worlds. In: Küchler, U, Maehl, S and Stout, G, (eds.) Alien Imaginations: Science Fiction and Tales of Transnationalism. Bloomsbury Academic , London, UK . ISBN 9781628921151

Mowitt, JW (2015) Radio Silence; or, On the Fritz. Cultural Critique, 91. pp. 150-163. ISSN 0882-4371


Pollock, G (2013) Auto-history: Frida Kahlo's political imagining. In: Frida Kahlo: A Life in Art. Hatje Cantz , 26 - 42 (16). ISBN 9788778750990

Pollock, G (2014) Crimes, confession and the everyday: challenges in reading Charlotte Salomon's Leben? oder theater? 1941-1942. Journal of Visual Culture, 13 (2). 200 - 235. ISSN 1470-4129

Pollock, G (2013) From horrorism to compassion: re-facing medusan otherness in dialogue with Adriana Caverero and Bracha Ettinger. In: Pollock, GFS, (ed.) Visual Politics and Psychoanalysis: Art & the Image in Post-Traumatic Cultures. I.B.Tauris & Co Ltd , 159 - 189 (30). ISBN 9781780763163

Pollock, G (2016) Is Feminism a Trauma, a Bad Memory, or a Virtual Future? differences, 27 (2). pp. 27-61. ISSN 1040-7391

Pollock, G (2017) Staging Subjectivity: Love and Loneliness in the Scene of Painting with Charlotte Salomon and Edvard Munch. Text Matters, 7 (7). pp. 114-144. ISSN 2083-2931

Pollock, G (2014) Whither art history? Art Bulletin, 96 (1). 9 - 23. ISSN 0004-3079

Pollock, GFS (2010) Aesthetic Wit(h)nessing in the Era of Trauma. EurAmerica: A Journal of European and American Studies, 40 (4). 829 - 886. ISSN 1021-3058

Pollock, GFS (2013) Editor's introduction. In: Pollock, G, (ed.) Visual Politics and Psychoanalysis: Art & the Image in Post-traumatic Cultures. I.B.Tauris & Co Ltd , 1 - 22 (21). ISBN 9781780763163

Pollock, GFS (2017) The Missing Wit(h)ness: Monroe, Fascinance and the Unguarded Intimacy of Being Dead. Journal of Visual Art Practice. ISSN 1470-2029 (In Press)

Pollock, GFS (2016) Monroe’s Molly: Three Reflections on Eve Arnold’s Photograph of Marilyn Monroe Reading Ulysses. Journal of Visual Culture, 15 (2). pp. 203-232. ISSN 1470-4129

Pollock, GFS (2009) Mother trouble: the maternal-feminine in phallic and feminist theory in relation to Bratta Ettinger's Elaboration of Matrixial Ethics. Studies in the Maternal, 1 (1). 1 - 31. ISSN 1759-0434

Pollock, GFS (2012) Trauma, time and painting: Bracha L. Ettinger and the matrixial aesthetic. In: Zarzycka, M and Papenburg, B, (eds.) Carnal Aesthetics. I.B.Tauris & Co Ltd , 21 - 41. ISBN 1780760132

Pollock, GFS (2013) Writing from the heart. In: Writing Otherwise: Experiments in Cultural Criticism. Manchester University Press , 19 - 34 (15). ISBN 9780719089428

Pollock, GFS (2010) The long journey: maternal trauma, tears and kisses in a work by Chantal Akerman. Studies in the Maternal, 2 (1). 1 - 32. ISSN 1759-0434

Pollock, GFS (2010) The missing future: MOMA and modern women. In: Butler, C and Schwartz, A, (eds.) Modern Women: Women Artists at The Museum of Modern Art. The Museum of Modern Art . ISBN 087070771X


Rea, WR (2017) Amòdu and the Material Manifestation of Eégún. In: Basu, P, (ed.) The Inbetweenness of Things: Materializing Mediation and Movement between Worlds. Bloomsbury , London . ISBN 9781474264778

Richardson, T (2011) 'A Schizocartography of a Redbrick'. Spaces and Flows: An International Journal of Urban and Extraurban Studies, 1 (1). ISSN 2154-8676


Stainforth, E (2017) Mixing Memory and Desire: Exploring Utopian Currents in Heritage. Future Anterior. ISSN 1549-9715 (In Press)

Stainforth, EMC and Borchi, A (2015) The nature and value of cultural policy research for early career researchers. Cultural Trends, 24 (2). 1031476. 109 - 111 (3). ISSN 0954-8963

Sternberg, C (2008) Framed (by) memory: The popular mnemonics of the First World War in "The Unknown Soldier" (Carlton TV, UK 1998) and "Distant Bridges" (UK/USA 1999). In: Meyer, J, (ed.) British popular culture and the First World War. Brill , 305 - 324. ISBN 9004166580

Sternberg, CR (2016) Book Review: Mark Connelly. The Great War, Memory and Ritual: Commemoration in the City and East London, 1916-1939. Woodbridge; Rochester, NY: The Royal Historical Society/Boydell Press, 2015. The London Journal, 41 (1). pp. 107-109. ISSN 0305-8034

Swiboda, MA (2014) When Beats Meet Critique: Documenting Hip-Hop Sampling as Critical Practice. Critical Studies in Improvisation, 10 (1). ISSN 1712-0624


Thurston, N (2017) From Secular Temples to Information Warehouses. Modernism/Modernity, 25 (1). ISSN 1071-6068 (In Press)

Thurston, N (2014) The Mediatisation of Contemporary Writing. The White Review.

Thurston, N (2016) The Mediatisation of Contemporary Writing. In: Gilbert, A, (ed.) Publishing As Artistic Pratice. Sternberg Press , Berlin , pp. 90-99. ISBN 978-3-95679-177-2

Thurston, N (2013) Publishing as a praxis of conceptualist reading performances. Journal of Writing in Creative Practice, 6 (3). 421 - 429. ISSN 1753-5190

Thurston, N (2017) Reading the Illegible. Amodern, 6.

Thurston, N (2015) Status_Anxieties. Convolutions: The Journal of Conceptual Criticism, 1 (3).

Thurston, N (2015) What Was Conceptual Writing? In: Andersson, A, (ed.) Postscript: Writing After Conceptual Art. University of Toronto Press . (In Press)

Thurston, N (2014) Who is taking responsibility for that text? In: Proceedings. 102nd College Arts Association (CAA) Annual Conference, 12-15 Feb 2014, Chicago, IL, USA. .

Thurston, NPM (2016) All as Nothing in the Key of Black. EROS, 1:5 . pp. 70-79. ISSN 2048-8532

Thurston, NPM and Dupeyrat, J (2018) Interview with Nick Thurston. In: Dupeyrat, J, (ed.) Entretiens. Perspectives contemporaines sur les publications d'artistes. Éditions Incertain Sens , Rennes , pp. 279-293. ISBN 978-2-914291-78-1


Watkins, EI (2010) Colour Consciousness and Design in Blanche Fury as Technicolor Melodrama. Journal of British Cinema and Television, 7. 53 - 68 . ISSN 1743-4521

Westgarth, M (2017) Learning to Look: Benedict Read as a Teacher. In: Benedict Read's life in sculpture: His father never told him about things like that. Essays on Sculpture (77). Henry Moore Institute , Leeds, UK , pp. 5-7. ISBN 978-1-905462-57-5

Westgarth, MW (2009) A Biographical Dictionary of Nineteenth Century Antique and Curiosity Dealers. Regional Furniture, XXIII . Regional Furniture Society , Glasgow .

Williams, DP (2017) Punch and the Pogroms: Eastern Atrocities in John Tenniel’s Political Cartoons, 1876–1896. RACAR, 42 (1). pp. 32-47. ISSN 0315-9906

This list was generated on Fri Feb 23 03:52:16 2018 GMT.