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Number of items at this level: 65.

B

Bristol, KAC (2016) A Tale of Two Sales: Sir Rowland Winn and No.11 St James’s Square, London, 1766-1787. History of Retailing and Consumption, 2 (1). pp. 9-24. ISSN 2373-518X

C

Checketts, RS (2014) Shaftesbury's Theory of Art: Substance and Virtue. Oxford Art Journal, 37 (1). 83 - 98. ISSN 0142-6540

F

Ferguson, CM (2016) ‘Descriptor, Bernice Donszelmann’, Five Years Gallery, London. Journal of Contemporary Painting. ISSN 2052-6695 (In Press)

Frojmovic, E (2015) Feasting at the Lord's Table. Images: a journal of Jewish art and visual culture, 7 (1). pp. 5-21. ISSN 1871-7993

Frojmovic, E (2015) Inscribing Piety in Late-Thirteenth-Century Perpignan. In: del Barco, J, (ed.) The Late Medieval Hebrew Book in the Western Mediterranean: Hebrew Manuscripts and Incunabula in Context. Études sur le judaïsme médiéval, 65 . Brill , Leiden , pp. 107-147. ISBN 9789004250062

G

Graham, H, Mason, R and Nayling, N (2013) The Personal is Still Political: Museums, Participation and Copyright. Museum and Society, 11 (2). 105 - 121. ISSN 1479-8360

Graham, HC (2017) Horizontality: Tactical Politics for Participation and Museums. In: Onciul, B, Stefano, ML and Hawke, S, (eds.) Engaging Heritage: Engaging Communities. Heritage Matters . Boydell and Brewer , Suffolk . ISBN 9781783271658 (In Press)

Graham, HC (2010) How the tea is made; or, The scaling of 'everyday life' in changing services for 'people with learning disabilities'. British Journal of Learning Disabilities, 82 (2). 133 - 143 (10). ISSN 1468-3156

Graham, HC (2015) Legitimate expertise: how decisions are made. Context: The Institute of Historic Building Conservation, 142. pp. 15-17.

Graham, HC (2015) Local Character. RSA Journal, 2015 (3). pp. 40-41. ISSN 0958-0433

Graham, HC (2016) Museums are not representative (and this is a good thing for participation). In: McSweeney, K and Kavanagh, J, (eds.) Museum Participation: New directions for Audience Collaboration. MuseumsEtc , Edinburgh . ISBN 978-1-910144-79-4

Graham, HC (2009) Oral History, "Learning Disability" and Pedagogies of Self. Oral History, 37 (1). 85 - 94 (9). ISSN 0143-0955

Graham, HC (2009) Policy Review: Department of Culture, Media and Sport's Peer Review Pilot. Cultural Trends, 18 (4). 323 - 331 (8). ISSN 0954-8963

Graham, HC (2012) Scaling Governmentality: Museums, Co-production and re-calibrations of the 'logic of culture'. Cultural Studies, 26 (4). 565 - 592 (28). ISSN 0950-2386

Graham, HC (2010) To Label the Label?: 'Learning Disability', and Exhibiting 'Critical Proximity'. In: Sandell, R, Dodd, J and Garland-Thomson, R, (eds.) Re-Presenting Disability. Routledge , 115 - 129 (14). ISBN 9780415494731

Graham, HC (2016) The ‘co’ in co-production: Museums, community participation and Science and Technology Studies. Science Museum Group Journal, 5. ISSN 2054-5770

Graham, HC, Hill, K, Holland, T et al. (1 more authors) (2015) When the workshop is working: The role of artists in collaborative research with young people and communities. Qualitative Research Journal, 15 (4). 404 - 415. ISSN 1443-9883

Graham, HC, Mason, R and Nayling, N (2011) Earning Legitimacy: Participation, Intellectual Property and Informed Consent. Research Report.

K

Karkov, CE (2014) The Anglo-Saxon World (Review). Journal of Anthropological Research, 70 (4). 635 - 635. ISSN 2153-3806

Karkov, CE (2015) The Franks casket speaks back: the bones of the past, the becoming of England. In: Karkov, C and Frojmovic, E, (eds.) Postcolonising the Medieval Image. . (In Press)

Karkov, CE (2016) Hagar and Ishmael: the Uncanny and the Exile. In: Zacher, S, (ed.) Imagining the Jew in Anglo-Saxon Literature and Culture. University of Toronto Press , Toronto , pp. 197-218. ISBN 9781442646674

Karkov, CE (2016) Hoards, hoarders, and other broken things. postmedieval: a journal of medieval cultural studies. ISSN 2040-5960 (In Press)

Karkov, CE (2016) Reading the Trinity in the Harley Psalter. In: Cambridge, E and Hawkes, J, (eds.) Crossing Boundaries: Interdisciplinary Approaches to the Art, Material Culture, Language and Literature of the Early Medieval World. Oxbow Books , Oxford . ISBN 9781785703072

Karkov, CE (2014) Reviews: Lilla Kopar, Gods and Settlers: The Iconography of Norse Mythology in Anglo-Scandinavian Sculpture (Turnhout: Brepols, 2012). Northern History, 51 (1). 193 - 194. ISSN 0078-172X

L

Lewandowski, S and Belinfante, S The reversing machine: a theatre of Kairos and Chronos. UNSPECIFIED. (In Press)

M

Mainz, V orcid.org/0000-0002-2917-283X (2016) The Inequalities of Infamy. Oxford Art Journal, 39 (2). pp. 217-227. ISSN 0142-6540

Mainz, VS (2014) The politics of the provisional: art and ephemera in revolutionary France. French Studies, 68 (4). 550 - 551. ISSN 0016-1128

Morgan, D (2007) Cosmopolitics and the emergence of the future. Palgrave Macmillan . ISBN 9780230001527

Morgan, D (2009) Trading hospitality: Kant, cosmopolitics and commercium. Paragraph: a journal of modern critical theory, 32 (1). 105 - 122. ISSN 0264-8334

Morgan, DL (2016) Anarchism, Utopianism and Hospitality: The Work of René Schérer. Modern and Contemporary France, 24 (2). pp. 161-177. ISSN 0963-9489

Morgan, DL (2015) Bunker Conversion and the Overcoming of Siege Mentality. Textual Practice. ISSN 0950-236X

Morgan, DL (2013) "The Camel (the Ship of the Desert)”: “Fluid Geography”, Globality and Cosmopolitics in the Work of Immanuel Kant. In: Bastos da Silva, J, (ed.) The Epistemology of Utopia: Rhetoric, Theory and Imagination. Utopian Studies Society Conference, 01 Jul 2009, Porto, Portugal. Cambridge Scholars Publishing , pp. 120-139. ISBN 9781443846257

Morgan, DL (2014) The "Floating Asylum," the Armée du salut, and Le Corbusier: A Modernist Heterotopian/Utopian Project. Utopian Studies, 25 (1). pp. 87-124. ISSN 1045-991X

Morgan, DL (2014) Globus terraqueus: Cosmopolitan Right, "Fluid Geography" and Commercium in the Utopian Thinking of Immanuel Kant and Pierre-Joseph Proudhon. In: Sarat, A, Douglas, L and Umphrey, MM, (eds.) Law and the Utopian Imagination. The Amherst Series in Law, Jurisprudence, and Social Thought . Stanford University Press , Stanford, California , pp. 126-154. ISBN 9780804790819

Morgan, DL (2014) Globus terraqueus: cosmopolitan right, "fluid geography" and commercium in the utopian thinking of Immanual Kant and Pierre-Joseph Proudhom. In: Sarat, A, Douglas, L and Umphrey, M, (eds.) Law and the utopian imagination. Amherst Series in Law, Jurisprudence and Social Thought . Stanford University Press , 126 - 154. ISBN 0804790817

Morgan, DL (2014) “Je monte, je valide”: les machines nous parlent et parlent à notre place. Faut-il s’orienter autrement? Ici et ailleurs: Association pour une Philosophie Nomade.

Morgan, DL (2015) La transmission dans le temps de l’Idée : « ce météore [lancé] sur les masses électrisées ». Revue d’études proudhoniennes, 1. pp. 64-71. ISSN 2491-0074

Morgan, DL (2011) Saint-Simon, Fourier, and Proudhon: "Utopian" French socialism. In: Schrift, AD, (ed.) The history of continental philosophy. University of Chicago Press , 265 - 304. ISBN 0226740463

Morgan, DL (2014) The flat management of “crises” on our spherical planet: anarchist order for a sustainable future. In: Gallardo, P and Russell, E, (eds.) Yesterday's Tomorrows: On Utopia and Dystopia. Cambridge Scholars Publishing , Newcastle upon Tyne , pp. 59-71. ISBN 1-4438-5588-X

Morgan, DL and Ansell-Pearson, K (2000) Nihilism now!: “Monsters of energy”. Palgrave Macmillan . ISBN 0312232098

Mowitt, JW (2015) Radio Silence; or, On the Fritz. Cultural Critique, 91. pp. 150-163. ISSN 0882-4371

P

Pollock, G (2013) Auto-history: Frida Kahlo's political imagining. In: Frida Kahlo: A Life in Art. Hatje Cantz , 26 - 42 (16). ISBN 9788778750990

Pollock, G (2014) Crimes, confession and the everyday: challenges in reading Charlotte Salomon's Leben? oder theater? 1941-1942. Journal of Visual Culture, 13 (2). 200 - 235. ISSN 1470-4129

Pollock, G (2013) From horrorism to compassion: re-facing medusan otherness in dialogue with Adriana Caverero and Bracha Ettinger. In: Pollock, GFS, (ed.) Visual Politics and Psychoanalysis: Art & the Image in Post-Traumatic Cultures. I.B.Tauris & Co Ltd , 159 - 189 (30). ISBN 9781780763163

Pollock, G (2014) Whither art history? Art Bulletin, 96 (1). 9 - 23. ISSN 0004-3079

Pollock, GFS (2010) Aesthetic Wit(h)nessing in the Era of Trauma. EurAmerica: A Journal of European and American Studies, 40 (4). 829 - 886. ISSN 1021-3058

Pollock, GFS (2013) Editor's introduction. In: Pollock, G, (ed.) Visual Politics and Psychoanalysis: Art & the Image in Post-traumatic Cultures. I.B.Tauris & Co Ltd , 1 - 22 (21). ISBN 9781780763163

Pollock, GFS (2016) Monroe’s Molly: Three Reflections on Eve Arnold’s Photograph of Marilyn Monroe Reading Ulysses. Journal of Visual Culture, 15 (2). pp. 203-232. ISSN 1470-4129

Pollock, GFS (2009) Mother trouble: the maternal-feminine in phallic and feminist theory in relation to Bratta Ettinger's Elaboration of Matrixial Ethics. Studies in the Maternal, 1 (1). 1 - 31. ISSN 1759-0434

Pollock, GFS (2012) Trauma, time and painting: Bracha L. Ettinger and the matrixial aesthetic. In: Zarzycka, M and Papenburg, B, (eds.) Carnal Aesthetics. I.B.Tauris & Co Ltd , 21 - 41. ISBN 1780760132

Pollock, GFS (2013) Writing from the heart. In: Writing Otherwise: Experiments in Cultural Criticism. Manchester University Press , 19 - 34 (15). ISBN 9780719089428

Pollock, GFS (2010) The long journey: maternal trauma, tears and kisses in a work by Chantal Akerman. Studies in the Maternal, 2 (1). 1 - 32. ISSN 1759-0434

Pollock, GFS (2010) The missing future: MOMA and modern women. In: Butler, C and Schwartz, A, (eds.) Modern Women: Women Artists at The Museum of Modern Art. The Museum of Modern Art . ISBN 087070771X

R

Rea, WR orcid.org/0000-0003-0294-5019 (2017) Amòdu and the Material Manifestation of Eégún. In: Basu, P, (ed.) The Inbetweenness of Things: Materializing Mediation and Movement between Worlds. Bloomsbury , London . ISBN 9781474264778 (In Press)

Richardson, T (2011) 'A Schizocartography of a Redbrick'. Spaces and Flows: An International Journal of Urban and Extraurban Studies, 1 (1). ISSN 2154-8676

S

Stainforth, EMC and Borchi, A (2015) The nature and value of cultural policy research for early career researchers. Cultural Trends, 24 (2). 1031476. 109 - 111 (3). ISSN 0954-8963

Sternberg, C (2008) Framed (by) memory: The popular mnemonics of the First World War in "The Unknown Soldier" (Carlton TV, UK 1998) and "Distant Bridges" (UK/USA 1999). In: Meyer, J, (ed.) British popular culture and the First World War. Brill , 305 - 324. ISBN 9004166580

Sternberg, CR (2016) Book Review: Mark Connelly. The Great War, Memory and Ritual: Commemoration in the City and East London, 1916-1939. Woodbridge; Rochester, NY: The Royal Historical Society/Boydell Press, 2015. The London Journal, 41 (1). pp. 107-109. ISSN 0305-8034

Swiboda, MA (2014) When Beats Meet Critique: Documenting Hip-Hop Sampling as Critical Practice. Critical Studies in Improvisation, 10 (1). ISSN 1712-0624

T

Thurston, N (2013) Publishing as a praxis of conceptualist reading performances. Journal of Writing in Creative Practice, 6 (3). 421 - 429. ISSN 1753-5190

Thurston, N (2015) Status_Anxieties. Convolutions: The Journal of Conceptual Criticism, 1 (3).

Thurston, N (2015) What Was Conceptual Writing? In: Andersson, A, (ed.) Postscript: Writing After Conceptual Art. University of Toronto Press . (In Press)

Thurston, N (2014) Who is taking responsibility for that text? In: Proceedings. 102nd College Arts Association (CAA) Annual Conference, 12-15 Feb 2014, Chicago, IL, USA. .

W

Watkins, EI (2010) Colour Consciousness and Design in Blanche Fury as Technicolor Melodrama. Journal of British Cinema and Television, 7. 53 - 68 . ISSN 1743-4521

Westgarth, MW (2009) A Biographical Dictionary of Nineteenth Century Antique and Curiosity Dealers. Regional Furniture, XXIII . Regional Furniture Society , Glasgow .

This list was generated on Thu Sep 29 03:35:38 2016 BST.