Items where authors include "Iddon, M"
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Iddon, M orcid.org/0000-0003-4282-4334 (2023) Prometeo: tragedia dell'ascolto by Luigi Nono (review). Notes, 79 (3). pp. 442-447. ISSN 0027-4380
Iddon, M orcid.org/0000-0003-4282-4334 and McLaughlin, S orcid.org/0000-0001-5869-1869 (2022) Teaching Composition in a Flipped Classroom. Tempo, 76 (302). pp. 71-81. ISSN 0040-2982
Iddon, M orcid.org/0000-0003-4282-4334, Payne, E orcid.org/0000-0003-2109-8126 and Thomas, P (2022) Performing Indeterminacy. Contemporary Music Review, 41. pp. 127-129. ISSN 0749-4467
Iddon, M orcid.org/0000-0003-4282-4334 (2022) Things to Make and Do. Contemporary Music Review, 41 (2-3). pp. 254-265. ISSN 0749-4467
Iddon, M (2020) Still Modern. Darmstädter Beiträge zur Neuen Musik, 25. ISSN 0418-3878
Iddon, M, Payne, E orcid.org/0000-0003-2109-8126 and Thomas, P (2019) Disruption and Discipline: Approaches to Performing John Cage's Concert for Piano and Orchestra. Music & Practice, 5. ISSN 1893-9562
Iddon, M (2017) The Musical Legacy of Karlheinz Stockhausen: Looking Back and Forward. Ed. by M. J. Grant and Imke Misch. Music and Letters, 97 (4). pp. 667-669. ISSN 0027-4224
Iddon, M (2017) Bartók after Catastrophe: Reading Bartók through Adorno in the post-war era. International Journal of Musicology, New Series, 3. pp. 179-184. ISSN 0941-9535
Iddon, M (2016) Outsourcing Progress: On Conceptual Music. Tempo, 70 (275). pp. 36-49. ISSN 0040-2982
Iddon, M (2014) Brian Hulse and Nick Nesbitt (eds.), Sounding the virtual: Gilles Deleuze and the theory and philosophy of music. Music Analysis, 33 (3). 417 - 428. ISSN 0262-5245
Conference or Workshop Item
Thomas, P, Iddon, M, Melen, C et al. (1 more author) Documentary and digital approaches to performing John Cage’s Concert for Piano and Orchestra. In: Performance Studies Network 5th International Conference, 05-08 Jul 2018, Norwegian Academy of Music, Oslo.
Payne, E orcid.org/0000-0003-2109-8126 and Iddon, M Towards a taxonomy of musical inaction. In: Music beyond fixity and fluidity; preservation and performance as instauration, 12-16 Sep 2022, Leiden, Netherlands.
Proceedings Paper
Payne, E orcid.org/0000-0003-2109-8126, Iddon, M, Thomas, P et al. (1 more author) (2017) ‘… a solo or a part in an ensemble, symphony, or concerto’: documenting performer perspectives on John Cage’s Concert for Piano and Orchestra (1957–58). In: N/A. Tracking the Creative Process in Music International conference, 4th edition, 14-16 Sep 2017, University of Huddersfield. .
Payne, E orcid.org/0000-0003-2109-8126, Iddon, M, Thomas, P et al. (1 more author) (2016) Performing at the limits: John Cage’s Solo for Piano. In: N/A. Performance Studies Network 4th International Conference, 14-17 Jul 2016, Bath Spa University. .