Abbott, H. (2017) Singing and Difference: The Case of Gautier and Berlioz Re-examined. French Studies, 71 (1). pp. 31-47. ISSN 1468-2931
Abstract
Théophile Gautier stands out as a curiously under-researched figure in the context of critical-theoretical approaches to word-music relations in nineteenth-century France. This article seeks to re-examine his importance in the light of his musical collaboration with Hector Berlioz by reworking the Derridean notion of ‘iterability’, bringing it into contact with Gautier’s and Berlioz’s Nuits d’été songs and offering a fresh approach to the concept of ‘writing and difference’ which insists on the importance of the performative in song instead of privileging writing. With analyses of Les Nuits d’été, the figure of Mignon, the concept of the tombeau poétique, and of song-like qualities in poetry, this article tests the hypothesis that singing (in) poetry fundamentally reshapes our understanding of how language functions beyond its inscription on the page, discussing the underlying ‘unperformability’ inherent to song.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | © The Author 2017. Published by Oxford University Press on behalf of the Society for French Studies. This is an author produced version of a paper subsequently published in French Studies. Uploaded in accordance with the publisher's self-archiving policy. |
Dates: |
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Institution: | The University of Sheffield |
Academic Units: | The University of Sheffield > Faculty of Arts and Humanities (Sheffield) > School of Languages and Cultures (Sheffield) > French Studies (Sheffield) |
Depositing User: | Symplectic Sheffield |
Date Deposited: | 08 Oct 2015 14:17 |
Last Modified: | 07 Jun 2023 11:36 |
Status: | Published |
Publisher: | Oxford University Press |
Refereed: | Yes |
Identification Number: | 10.1093/fs/knw259 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:90121 |