Abbott, H. (2015) Baudelaire and Electronica: Strange Voices and Ruth White’s 1960s Experimentations. Comparative Critical Studies, 12 (3). pp. 357-376. ISSN 1744-1854
Abstract
This article examines the under-frequented musical contexts for Baudelaire’s poetry, notably 1960s American experimental electronica (Ruth White, Flowers of Evil, 1969). By focusing on the role of the composer-translator, this article tests the hypothesis that the composer-translator adds further layers of complexity and distancing to the voices of his poetry, in such a way as to create challenging new soundworlds which shatter the already fragile categories of ‘poetry’ and ‘music’ as distinct elements. The alliance between text and sound, it is suggested, becomes increasingly complicated by dislocated voices in a foreign tongue and in an experimental musical genre such that the relationship between poem and music is suffused with heightened levels of strangeness. Moreover, by critiquing the dual (but complicated) role of the composer-translator, it is possible to re-examine accepted tenets of translation theory by pitting the notion of the translator as ‘literary critic’ (Scott: 2000) alongside recent word-music theory that perceives the composer as ‘critical reader’ (Allis: 2005). It is suggested that unusual song settings of Baudelaire (using the composer’s own translation) expand our understanding of Baudelaire’s poetic palette, his use of voice(s), and the cultural reception of his work.
Metadata
Item Type: | Article |
---|---|
Authors/Creators: |
|
Copyright, Publisher and Additional Information: | © 2015 Edinburgh University Press. This is an author produced version of a paper subsequently published in Comparative Critical Studies. Uploaded in accordance with the publisher's self-archiving policy. |
Keywords: | Charles Baudelaire; words and music; song setting; electronica; Ruth White; translation; voice; critical reading |
Dates: |
|
Institution: | The University of Sheffield |
Academic Units: | The University of Sheffield > Faculty of Arts and Humanities (Sheffield) > School of Languages and Cultures (Sheffield) > French Studies (Sheffield) |
Depositing User: | Symplectic Sheffield |
Date Deposited: | 29 Jul 2015 09:37 |
Last Modified: | 30 Mar 2016 20:52 |
Published Version: | http://dx.doi.org/10.3366/ccs.2015.0178 |
Status: | Published |
Publisher: | Edinburgh University Press |
Refereed: | Yes |
Identification Number: | 10.3366/ccs.2015.0178 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:88604 |