Abbott, H. (2014) Transpositions des Illuminations, ou Rimbaud en musique. Parade sauvage: revue d'études rimbaldiennes, 25. pp. 301-322. ISSN 0764-471X
Abstract
La mise en musique des Illuminations par Benjamin Britten (1939) remanie le texte rimbaldien en effectuant des « transpositions » de prosodie, de forme, de sonorités, et de figuralismes. Nous proposons que ces « transpositions » proviennent d'un processus inhérent au texte poétique lui-même. Benjamin Britten's 1939 setting of Les Illuminations reworks Rimbaud's poetry by creating certain « transpositions » of prosody, form, sound properties, and wordpainting. The contention here is that these « transpositions » stem from a process that is inherent to the poetic text itself.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | © 2014. Classiques Garnier, Paris |
Dates: |
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Institution: | The University of Sheffield |
Academic Units: | The University of Sheffield > Faculty of Arts and Humanities (Sheffield) > School of Languages and Cultures (Sheffield) > French Studies (Sheffield) |
Depositing User: | Symplectic Sheffield |
Date Deposited: | 29 Jan 2015 13:03 |
Last Modified: | 05 Nov 2019 16:27 |
Published Version: | https://www.jstor.org/stable/26457160 |
Status: | Published |
Publisher: | Classiques Garnier |
Refereed: | Yes |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:81438 |