Tzanelli, R (2014) Heritage entropy and tourist pilgrimage in Brave’s Scotland. Hospitality & Society, 4 (2). 155 - 177 (22). ISSN 2042-7913
Abstract
The paper explores the production of a cinematic tourist industry connected to Scottish landscapes and heritage with the release of Disney-Pixar’s animated fairy-tale Brave (2012). It contends that the first ever planned synergy between a creative industry and the country whose traditions and landscapes allegedly inspired the former’s filmmaking resulted in what is termed ‘heritage entropy’. This state-backed nationalist reinstatement of Scottish identity as a naturalised ‘being in time’, ready to be marketed to global tourists, both drew upon and was inspired by (1) broadcast professional pilgrimages of the Scottish Brave artists and (2) the marketing of Brave holidays to Scotland as a family experience. To illustrate the digital and imagological-auditory nature of heritage entropy, which both naturalises communities and technologizes their merit so as to present them as ‘civilized’, examples are presented from the websites of Adventures Disney Tours, the industry’s marketing tourist body, and VisitScotland, the country’s tourist organisation.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Editors: |
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Keywords: | cinematic tourism; heritage (entropy); Internet; landscape; migration; national identity; pilgrimage; Scotland |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Education, Social Sciences and Law (Leeds) > School of Sociology and Social Policy (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 19 Aug 2014 11:23 |
Last Modified: | 08 Nov 2016 19:59 |
Published Version: | http://dx.doi.org/10.1386/hosp.4.2.155_1 |
Status: | Published |
Publisher: | Intellect |
Identification Number: | 10.1386/hosp.4.2.155_1 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:79992 |