Regan, D. and Millard, C. orcid.org/0000-0001-5517-492X (2026) How close is too close? The practice and politics of lived experience in contemporary art, academic history and the medical humanities. In: Johnstone, F., Morehead, A. and Wiltshire, I., (eds.) Art and the Critical Medical Humanities. Critical Interventions in the Medical and Health Humanities. Bloomsbury Publishing Plc, London, pp. 51-58. ISBN: 9781350506336.
Metadata
| Item Type: | Book Section |
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| Authors/Creators: |
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| Copyright, Publisher and Additional Information: | © Daniel Regan. Chris Millard. Fiona Johnstone, Allison Morehead and Imogen Wiltshire 2026. This chapter is published open access subject to a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International licence (CC BY-NC-ND 4.0, https://creativecommons.org/licenses/by-nc-nd/4.0/). You may re-use, distribute, and reproduce this work in any medium for non-commercial purposes, provided you give attribution to the copyright holder and the publisher and provide a link to the Creative Commons licence. |
| Keywords: | Art History, Theory and Criticism; Creative Arts and Writing; Organisation and delivery of services; Mental health |
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| Institution: | The University of Sheffield |
| Academic Units: | The University of Sheffield > Faculty of Arts and Humanities (Sheffield) > School of History, Philosophy and Digital Humanities |
| Date Deposited: | 13 Feb 2026 16:58 |
| Last Modified: | 13 Feb 2026 16:58 |
| Status: | Published |
| Publisher: | Bloomsbury Publishing Plc |
| Series Name: | Critical Interventions in the Medical and Health Humanities |
| Refereed: | Yes |
| Identification Number: | 10.5040/9781350506367.ch-3 |
| Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:237858 |
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