Tang, J. orcid.org/0000-0002-8352-4066 (2026) “I feel good… I knew that I would…”: The role of self in musical reward across cultures. PLoS One, 21 (1). e0340597. ISSN: 1932-6203
Abstract
Listening to music can be a rewarding experience for many. Research has shown that multiple factors influence musical reward including personality, age, and musical expertise. However, the role of culture in shaping musical reward remains underexplored. Most cross-cultural studies in music psychology have compared individuals from different countries. This study adopted a novel approach by examining self-construal, an individual-level explanation for cultural differences, in relation to musical rewards associated with favourite music across cultures. A cross-sectional online questionnaire was administered to 435 participants. Results from the multilevel regression analyses, using the two-dimensional model of self-construal, revealed that only within-region variation of interdependent and independent self-construals, not between-region variation of interdependence and independence, were positively associated with musical reward. Specifically, both self-construals were associated with emotion evocation and social reward, while independent self-construal was associated with musical seeking, mood regulation, and sensory-motor subtypes. When applying the eight-dimensional model of self-construal, distinct self-construal profiles emerged in relation to different musical reward subtypes, with the interdependent pole of connectedness to others positively associated with most subtypes except for emotion evocation reward. These findings provide preliminary evidence that self-construal influences the types of rewards experienced across cultures. In particular, one’s sense of self, whether construed as interdependent or independent, shapes the types of rewards experienced with favourite music. This study underscores the importance of incorporating specific cultural factors in cross-cultural research on musical reward. By examining self-construal, this work contributes to a more nuanced understanding of cultural diversity in music psychology.
Metadata
| Item Type: | Article |
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| Copyright, Publisher and Additional Information: | © 2026 Jonathan Tang. This is an open access article distributed under the terms of the Creative Commons Attribution License (http://creativecommons.org/licenses/by/4.0/), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. |
| Keywords: | Cultural Studies; Creative Arts and Writing; Social and Personality Psychology; Language, Communication and Culture; Music; Psychology; Clinical Research; Basic Behavioral and Social Science; Behavioral and Social Science; Psychological and socioeconomic processes; Mental health; Humans; Music; Reward; Female; Male; Adult; Young Adult; Surveys and Questionnaires; Self Concept; Cross-Sectional Studies; Cross-Cultural Comparison; Emotions; Adolescent; Middle Aged |
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| Institution: | The University of Sheffield |
| Academic Units: | The University of Sheffield > Student and Academic Services |
| Date Deposited: | 27 Jan 2026 16:16 |
| Last Modified: | 27 Jan 2026 16:16 |
| Status: | Published |
| Publisher: | Public Library of Science (PLoS) |
| Refereed: | Yes |
| Identification Number: | 10.1371/journal.pone.0340597 |
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| Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:236890 |

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