This article shares the author’s reflections on what decolonial cracks for recreating UK universities as sustainable pluriversities emerge from encounters and engagement in three arts–research co-productions relating to sustainability and justice: a training process led by a professional storyteller on converting political-ecology research into short, spoken ten-minute stories, the co-production of visual summaries and a role-playing game on sustainable value chains, and the collaboration producing an immersive audiovisual exhibition on ‘Can we fly-less?’. This article makes an empirically based case that engaging in co-production on arts–research knowledge translation can help identify decolonial cracks to sow the seeds of pluriversity, that is, epistemically diverse institutions for public good that recognise present patterns of colonially rooted injustices and unsustainability, in UK academia. Drawing on relational, deep-listening conversations with six collaborators on the projects, three artists and three researchers, the article highlights benefits arising from the creative collaborations, such as social, transformative learning and critical introspection, and research acquiring a life beyond the page and becoming accessible to a broader audience. However, they also emphasised institutional barriers such as perverse incentives in current academic conventions, such as little or no recognition for knowledge translation, unequal starting points among permanent/precarious or salaried/non-salaried staff, and uncooperative monitoring and application systems, which render identifying these decolonial cracks and seeds necessary. With a methodology rooted in its conceptual, relational approach, the article highlights decolonial cracks in current academia, and transformative seeds to reimagine it in a more decolonial and sustainable image befitting of a pluriversity. Keywords: pluriversity; arts–research co-production; decolonial cracks; sustainability
CORE (COnnecting REpositories)
CORE (COnnecting REpositories)