Working, Lauren Noemie orcid.org/0000-0002-9475-7498 (2023) 'Not as a poet, but a pioner': Fancy and the Colonial Gaze in William Davenant's Madagascar (1638). Renaissance Studies. pp. 319-344. ISSN 1477-4658
Abstract
In the late 1630s, the court poet William Davenant applied his literary energies to Madagascar, an island off the eastern coast of Africa: ‘Thus in a dreame, I did adventure out…/Betweene the Southern Tropick and the Line’. While previous scholarship has highlighted the poem's ambiguous attitude towards empire, focusing on the rising interest in global travel and eastern diplomacy at Charles I's court, this article revisits the poem's genre and social context by focusing on its specific engagement with colonization. In doing so, it establishes Madagascar as an important example of how cavalier poets helped shape the aesthetics of early Stuart colonialism at court. The use of fancy – explored here through poetic style and wit sociability, female colonial networks at Henrietta Maria's court, and real and imagined objects, including Malagasy artefacts – becomes key to reconciling the seeming incongruities between the poem's lover-conquerors and the colonial aspirations that underpinned the project.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | © 2022 The Author. |
Keywords: | Madagascar,cavalier,fancy,colonialism,early Stuart |
Dates: |
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Institution: | The University of York |
Academic Units: | The University of York > Faculty of Arts and Humanities (York) > English and Related Literature (York) |
Depositing User: | Pure (York) |
Date Deposited: | 15 Sep 2023 13:20 |
Last Modified: | 27 Dec 2024 00:24 |
Published Version: | https://doi.org/10.1111/rest.12835 |
Status: | Published |
Refereed: | Yes |
Identification Number: | 10.1111/rest.12835 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:203409 |
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