Voices from an unusual archive: university film circle writings, 1945-1960

This article explores an unusual archive of student-authored film journals written between 1945-1960 in order to better understand the ideals, motivations, and expectations of a young, relatively elite, and ambitious section of postwar Japan’s population who would go on to shape the direction of the country after defeat in 1945. These writings, archived in The Makino Mamoru Collection at the CV Starr East Asian Library in the University of Columbia contains, were generated by self-organized student groups known as film ‘circles’ (sākuru) or ‘film study groups’ (eiga kenkyūkai) based at universities around Japan. Many circles authored amateur publications, often modeled on commercial magazines or journals. However, there was one important difference between amateur and professional publications in the early postwar period: commercial publications were subject to censorship, whereas amateur publications were created for a smaller audience and under freer conditions. Student writings featured in university film circle journals therefore offer a unique view of early postwar attitudes during a period when professional media communications were censored by the Allied forces in charge of the Occupation of Japan (1945-1952).