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Dr. Emmanuelle Olivier is an Ethnomusicologist, Senior Research Fellow at CNRS (Georg Simmel Research Centre), and Lecturer at EHESS in Paris. Emmanuelle has worked in Mali since 2001 on the creative process of popular music production, questioning how the digital revolution impacts music practices, professions, and collective imagination. She is currently directing an international partnership funded by the National Research Agency on Digital Cultures in Western Africa. Her publications include World Music. Tradition through the prism of Creation (2012); Works, Authors and Rights: Music and Dance in Globalization (2014); Art Creation and Imagination of Globalization (2017) and Digital Cultures (2022). Dr. Amandine Pras is a Lecturer in Sound Recording and Music Production at the University of York (UK), and a Research Associate at Centre Georg Simmel at EHESS in Paris. Her work explores how the democratization of digital audio technologies has transformed music production practices from a global perspective. She carries out interdisciplinary partnerships that aim to enhance audio education access and equity, diversity, and inclusion in the recording studio. A graduate of the Paris Conservatoire, she engineered and produced albums in Banff, Montreal and New York in 2007-2021, directed a music documentary in West Bengal in 2015-2018, and has conducted fieldwork in West Africa since 2018. © 2023 Informa UK Limited, trading as Taylor & Francis Group. This is an author-produced version of the published paper. Uploaded in accordance with the publisher’s self-archiving policy. Further copying may not be permitted; contact the publisher for details |
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