Uprising on the Dance Floor. New Chilean Pop and Protest in Postdictatorship Chile

Abstract

New Chilean Pop catalyzed and reinforced a queer exploration of social exclusion, an alternative and sometimes a counter culture. An analysis of Javiera Mena and Álex Anwandter’s music and filmography reveals a musical scene that has been led by queer and feminist artists whose work has evolved alongside national social movements and a counter-telling of the political, social, cultural, and economic legacy of Augusto Pinochet’s bloody regime (1973–1990).

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Item Type:	Article
Authors/Creators:	Simonetto, P https://orcid.org/0000-0001-5906-7072 Shalloe, T
Copyright, Publisher and Additional Information:	© 2023 Latin American Perspectives. This article is distributed under the terms of the Creative Commons Attribution-NonCommercial 4.0 License (https://creativecommons.org/licenses/by-nc/4.0/) which permits non-commercial use, reproduction and distribution of the work without further permission provided the original work is attributed as specified on the SAGE and Open Access pages (https://us.sagepub.com/en-us/nam/open-access-at-sage).
Keywords:	LGBTIQ+, Chile, Pop music, Queer, Social movements
Dates:	Published: May 2023 Published (online): 14 July 2023 Accepted: 5 April 2023
Institution:	The University of Leeds
Academic Units:	The University of Leeds > Faculty of Education, Social Sciences and Law (Leeds) > School of Sociology and Social Policy (Leeds)
Depositing User:	Symplectic Publications
Date Deposited:	31 May 2023 09:07
Last Modified:	14 Nov 2024 10:02
Status:	Published
Publisher:	SAGE
Identification Number:	10.1177/0094582X231185767
Open Archives Initiative ID (OAI ID):	oai:eprints.whiterose.ac.uk:199711

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Uprising on the Dance Floor. New Chilean Pop and Protest in Postdictatorship Chile

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