Geraghty, N.H.D. and Massidda, A.L. orcid.org/0000-0001-8735-7990 (2019) The spatiality of desire in Martín Oesterheld’s La multitud (2012) and Luis Ortega’s Dromómanos (2012). In: Geraghty, N.H.D. and Massidda, A.L., (eds.) Creative Spaces: Urban Culture and Marginality in Latin America. University of London Press, Institute of Latin American Studies , pp. 201-240. ISBN 9781908857699
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| Item Type: | Book Section |
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| Copyright, Publisher and Additional Information: | © 2019 Chapter authors. This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. (http://creativecommons.org/licenses/by-nc-nd/4.0/) |
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| Institution: | The University of Sheffield |
| Academic Units: | The University of Sheffield > Faculty of Social Sciences (Sheffield) > School of Architecture (Sheffield) |
| Depositing User: | Symplectic Sheffield |
| Date Deposited: | 16 Nov 2022 15:20 |
| Last Modified: | 17 Nov 2022 02:36 |
| Published Version: | https://www.jstor.org/stable/j.ctvp2n322.13 |
| Status: | Published |
| Publisher: | University of London Press, Institute of Latin American Studies |
| Refereed: | Yes |
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| Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:193211 |
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