Tzanelli, R orcid.org/0000-0002-5765-9856 and Koutoulas, D (2021) Zorba the Greek’s tourism worldmaking: gendering Cretan place identity and Greek memory through film. Tourism Critiques, 2 (2). pp. 170-194. ISSN 2633-1225
Abstract
Purpose
Drawing on the discursive properties of placemaking theory, this paper discusses the development of film tourism in Crete from the release of the award-winning Zorba the Greek (dir. Michael Cacoyannis, ZG) to date. The approach is “genealogical,” seeking to explain how ZG-inspired tourism on Crete ended up being more than about the film itself owing to historical contingency.
Metadata
Item Type: | Article |
---|---|
Authors/Creators: |
|
Copyright, Publisher and Additional Information: | © 2021, Rodanthi Tzanelli and Dimitris Koutoulas. This is an open access article under the terms of the Creative Commons Attribution 4.0 International License (CC BY 4.0) (https://creativecommons.org/licenses/by/4.0/) |
Keywords: | Hospitality, Gender, Biopolitics, Film tourism, Sex tourism, Greek identity |
Dates: |
|
Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Education, Social Sciences and Law (Leeds) > School of Sociology and Social Policy (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 03 Aug 2021 13:40 |
Last Modified: | 25 Jun 2023 22:43 |
Status: | Published |
Publisher: | Emerald Publishing |
Identification Number: | 10.1108/TRC-02-2021-0003 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:176621 |