Erickson, K (2018) Can creative firms thrive without copyright? Value generation and capture from private-collective innovation. Business Horizons, 61 (5). pp. 699-709. ISSN 0007-6813
Abstract
Accounts of the copyright industries in national reports suggest that strong intellectual property (IP) rights support creative firms. However, mounting evidence from sectors such as video game production and 3-D printing indicate that business models based on open IP can also be profitable. This study investigates the relationship between IP protection and value capture for creative industry firms engaged in collective/open innovation activities. A sample of 22 businesses interviewed in this study did not require exclusive ownership of creative materials but instead employed a range of strategies to compete and capture value. Benefits for some firms resemble those for participants in private-collective innovation (PCI), originally observed in open-source software development. Advantages of PCI include the ability to commercialize user improvements and a reduction in transaction costs related to seeking and obtaining permission to innovate existing ideas. Some creative firms in this study were able to generate and capture value from PCI in two directions: upstream and downstream. These dynamics offer a mechanism to understand and articulate the value of openness for creative industries policy and management of creative organizations.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | © 2018 Kelley School of Business, Indiana University. Published by Elsevier Inc. All rights reserved. This is an author produced version of a paper published in Business Horizons. Uploaded in accordance with the publisher's self-archiving policy. |
Keywords: | Creative Industries; public domain; firm strategy; value capture; creative SMEs; Private-collective; innovation; Copyright; Creative industries; Appropriation; Business model innovation; Intellectual property management |
Dates: |
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Institution: | The University of Leeds |
Academic Units: | The University of Leeds > Faculty of Performance, Visual Arts and Communications (Leeds) |
Depositing User: | Symplectic Publications |
Date Deposited: | 10 Jul 2018 13:36 |
Last Modified: | 25 Jul 2021 00:38 |
Status: | Published |
Publisher: | Elsevier |
Identification Number: | 10.1016/j.bushor.2018.04.005 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:133106 |