Displacement, repetition and repression:Die Meistersinger von Nürnberg on stage in the Weimar Republic

Sheil, Aine Catherine orcid.org/0000-0001-6890-3204 (2018) Displacement, repetition and repression:Die Meistersinger von Nürnberg on stage in the Weimar Republic. Cambridge Opera Journal. pp. 117-151. ISSN 0954-5867

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Item Type: Article
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Cambridge University Press, 2018. This is an author-produced version of the published paper. Uploaded in accordance with the publisher’s self-archiving policy. Further copying may not be permitted; contact the publisher for details.

Dates:
  • Published: 5 February 2018
  • Accepted: 13 September 2017
Institution: The University of York
Academic Units: The University of York > Faculty of Arts and Humanities (York) > Music (York)
Depositing User: Pure (York)
Date Deposited: 09 Oct 2017 11:00
Last Modified: 20 Feb 2025 00:08
Published Version: https://doi.org/10.1017/S095458671700012X
Status: Published
Refereed: Yes
Identification Number: 10.1017/S095458671700012X
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Description: Sheil FINAL_Cambridge Opera Journal 2017

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