Jones, Nick orcid.org/0000-0001-6352-0634 (2015) Variation within Stability:Digital 3D and Film Style. Cinema Journal. pp. 52-73. ISSN 1527-2087
Abstract
This article conducts an analysis of contemporary 3D film style in narrative features, examining how stereoscopy has been married to existing cinematic form. Formal examinations of 3D sequences show them to work within systems of classical or intensified continuity while also generating patterns of meaning tied to the 3D format.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | © University of Texas Press, 2015. This is an author-produced version of the published paper. Uploaded in accordance with the publisher’s self-archiving policy. Further copying may not be permitted; contact the publisher for details |
Keywords: | 3D cinema,film style,Resident Evil,Dredd,David Bordwell |
Dates: |
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Institution: | The University of York |
Academic Units: | The University of York > Faculty of Arts and Humanities (York) > Theatre, Film, TV and Interactive Media (York) |
Depositing User: | Pure (York) |
Date Deposited: | 29 Sep 2017 11:00 |
Last Modified: | 08 Feb 2025 00:24 |
Published Version: | https://doi.org/10.1353/cj.2015.0073 |
Status: | Published |
Refereed: | Yes |
Identification Number: | 10.1353/cj.2015.0073 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:121874 |
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