McCallam, D. (2017) Movement and Montage in André Chénier's "Ode à Versailles" (1793). Crossways Journal, 1 (1).
Abstract
In 1793, poet and journalist André Chénier fled Paris for Versailles for fear of being persecuted for his public criticisms of the Jacobins. There, at the start of the revolutionary Terror, he composed his “Ode à Versailles.” This article analyses the poem’s form while noting the effects of historical and philosophical contexts on the movement of the verse. The representation of time is explored in the form of a montage, as the term is defined by the Italian philosopher Giorgio Agamben. What results is a work of poetry that tells of the revolutionary upheavals in France in its very movement away from them. Caught between political and poetic states, Chénier’s “Ode à Versailles” stands as the insistent expression of an affective and poetic resistance to Jacobin Revolution.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | © 2017 The Crossways in Cultural Narratives Consortium. This article was published in Crossways Journal on 01/01/2017. Reproduced with permission from the copyright holder. |
Dates: |
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Institution: | The University of Sheffield |
Academic Units: | The University of Sheffield > Faculty of Arts and Humanities (Sheffield) > School of Languages and Cultures (Sheffield) |
Depositing User: | Symplectic Sheffield |
Date Deposited: | 24 Aug 2017 12:35 |
Last Modified: | 15 Sep 2017 08:40 |
Published Version: | http://crossways.lib.uoguelph.ca/index.php/crosswa... |
Status: | Published |
Publisher: | The Crossways in Cultural Narratives Consortium |
Refereed: | Yes |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:120502 |