Wells, C.J. (2022) Doubt, Havelock Ellis, and bisexuality in Jacob’s Room. Humanities, 11 (2). 39. ISSN 2076-0787
Abstract
This essay examines Virginia Woolf’s experimental representations of bisexuality in her bildungsroman, Jacob’s Room (JR) (1922). This article suggests that we cannot appreciate Woolf’s complex modernist strategies of resistance to restrictive and reductive attitudes to sexual identities if we think only in binary terms of hetero- and homosexuality in Woolf’s work. I argue here that a contemporary gaze of queer theory, one informed by current ideologies on the spectrum of gendered and bi+ sexual identities, is required to unearth in full Woolf’s critique of sexology in her first substantive investment into experimental sexual realism. I aim to show how sexological bisexuality influenced Woolf’s developing aesthetic that was, at the time of writing Jacob’s Room, beginning to adopt a much more innovative and experimental form.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | © 2022 by the author. Licensee MDPI, Basel, Switzerland. This article is an open access article distributed under the terms and conditions of the Creative Commons Attribution (CC BY) license (https://creativecommons.org/licenses/by/4.0/). |
Keywords: | bisexuality; Virginia Woolf; Havelock Ellis; modernist literature; Jacob’s Room |
Dates: |
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Institution: | The University of Sheffield |
Academic Units: | The University of Sheffield > Faculty of Arts and Humanities (Sheffield) > School of English (Sheffield) |
Depositing User: | Symplectic Sheffield |
Date Deposited: | 14 Mar 2022 14:49 |
Last Modified: | 14 Mar 2022 14:49 |
Status: | Published |
Publisher: | MDPI AG |
Refereed: | Yes |
Identification Number: | 10.3390/h11020039 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:184704 |