The City and the Self: Intertextuality, Masculine Identity and Images of Postmodernity in Martin Scorsese's 'Taxi Driver' (1976) and Michael Mann's 'Heat' (1995)

Ballard, G. (2018) The City and the Self: Intertextuality, Masculine Identity and Images of Postmodernity in Martin Scorsese's 'Taxi Driver' (1976) and Michael Mann's 'Heat' (1995). Exclamat!ion: An Interdisciplinary Journal, 2. ISSN 2515-0332

Metadata

Authors/Creators:
  • Ballard, G.
Copyright, Publisher and Additional Information: © 2018 The Author(s)
Dates:
  • Published: 13 June 2018
Institution: The University of Sheffield
Academic Units: The University of Sheffield > Faculty of Arts and Humanities (Sheffield) > School of English (Sheffield)
Depositing User: Symplectic Sheffield
Date Deposited: 26 Jun 2018 13:20
Last Modified: 26 Jun 2018 13:20
Published Version: http://humanities.exeter.ac.uk/media/universityofe...
Status: Published
Publisher: University of Exeter
Refereed: Yes

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