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Number of items at this level: 223.

A

Al Alam, R.T. and Dibben, N. orcid.org/0000-0002-9250-5035 (2021) A comparison of presence and emotion between immersive virtual reality and desktop displays for musical multimedia. In: Future Directions of Music Cognition 2021 Virtual Conference Proceedings. Future Directions of Music Cognition, 06-07 Mar 2021, Virtual conference. Ohio State University Libraries , Ohio .

Albornoz, A. (2015) Computer Music in Chile: The Beginning and some paths to the future: An historical review. In: Electroacoustic Music Studies Network Conference: The Art of Electroacoustic Music, 23-26 Jun 2015, University of Sheffield Humanities Research Institute.

Alessandri, E., Rose, D., Senn, O. et al. (3 more authors) (2020) Consumers on critique: a survey of classical music listeners’ engagement with professional music reviews. Music & Science, 3. ISSN 2059-2043

Alessandri, E., Williamson, V.J., Eiholzer, H. et al. (1 more author) (2016) A Critical Ear: Analysis of Value Judgments in Reviews of Beethoven's Piano Sonata Recordings. Frontiers in Psychology. ISSN 1664-1078

Allesandri, E., Williamson, V.J., Eiholzer, H. et al. (1 more author) (2015) Beethoven recordings reviewed: a systematic method for mapping the content of music performance criticism. Frontiers in Psychology, 6. 57. ISSN 1664-1078

Arthurs, Y., Beeston, A. orcid.org/0000-0003-2796-1947 and Timmers, R. (2018) Perception of isolated chords: Examining frequency of occurrence, instrumental timbre, acoustic descriptors and musical training. Psychology of Music, 46 (5). pp. 662-681. ISSN 0305-7356

Arthurs, Y. and Timmers, R. (2016) On the fluidity of consonance and dissonance: The influence of musical context. Psychomusicology: Music, Mind, and Brain, 26 (1). pp. 1-14. ISSN 0275-3987

B

Bate, E. (2020) Justifying music in the national curriculum: The habit concept and the question of social justice and academic rigour. British Journal of Music Education, 37 (1). pp. 3-15. ISSN 0265-0517

Beeston, A.V. and Summers, M.A.C. (2013) Groundwork for a resource in computational hearing for extended string techniques. In: Proceedings of the 10th International Symposium on Computer Music Multidisciplinary Research (CMMR). 10th International Symposium on Computer Music Multidisciplinary Research (CMMR), 15-18 Oct 2013, Marseilles, France. Publications du L.MA. , pp. 662-669. ISBN 978-2-909669-23-6

Bonastre, C., Muñoz, E. and Timmers, R. (2017) Conceptions about teaching and learning of expressivity in music among Higher Education teachers and students. British Journal of Music Education, 34 (3). pp. 277-290. ISSN 0265-0517

Bonastre, C. and Timmers, R. (2021) Comparison of beliefs about teaching and learning of emotional expression in music performance between Spanish and English HE students of music. Psychology of Music, 49 (1). pp. 108-123. ISSN 0305-7356

Bramley, S., Dibben, N. orcid.org/0000-0002-9250-5035 and Rowe, R. orcid.org/0000-0001-5556-3650 (2016) Investigating the influence of music tempo on arousal and behaviour in laboratory virtual roulette. Psychology of Music, 44 (6). pp. 1389-1403. ISSN 1741-3087

Bramley, S., Dibben, N. and Rowe, R. orcid.org/0000-0001-5556-3650 (2016) The Utilisation of Music by Casino Managers: An Interview Study. Journal of Gambling Studies, 32 (4). pp. 1127-1141. ISSN 1050-5350

Bramley, S., Dibben, N. orcid.org/0000-0002-9250-5035 and Rowe, R. orcid.org/0000-0001-5556-3650 (2018) An exploratory study of gamblers’ perceptions of music’s effects on gambling behaviour. Journal of Gambling Issues, 2018 (40). pp. 116-135. ISSN 1910-7595

Bramley, S. and Gainsbury, S.M. (2015) The Role of Auditory Features Within Slot-Themed Social Casino Games and Online Slot Machine Games. Journal of Gambling Studies, 31 (4). pp. 1735-1751. ISSN 1050-5350

Brandmeyer, A., Timmers, R., Sadakata, M. et al. (1 more author) (2011) Learning expressive percussion performance under different visual feedback conditions. Psychological Research, 75 (2). pp. 107-121. ISSN 0340-0727

Brown, H. (2015) How do you solve a problem like an earworm? Scientific American Mind, 26 (13). p. 13. ISSN 1555-2284

C

Cespedes-Guevara, J. and Dibben, N. orcid.org/0000-0002-9250-5035 (2021) Promoting prosociality in Colombia: Is music more effective than other cultural interventions? Musicae Scientiae, 25 (3). pp. 332-357. ISSN 1029-8649

Cespedes-Guevara, J. and Dibben, N. orcid.org/0000-0002-9250-5035 (2022) The role of embodied simulation and visual imagery in emotional contagion with music. Music & Science, 5. ISSN 2059-2043

Chang, S. and Shephard, T. orcid.org/0000-0003-4053-8916 (2023) Music, gender and the erotic in Italian visual culture of the 16th century: introduction. Early Music, 51 (1). pp. 21-24. ISSN 0306-1078

Chen, J.L., Kumar, S., Williamson, V.J. et al. (3 more authors) (2015) Detection of the arcuate fasciculus in congenital amusia depends on the tractography algorithm. Frontiers in Psychology, 6 (9). ISSN 1664-1078

Christensen, J. orcid.org/0000-0002-5373-5532, Kauenhofen, S. orcid.org/0009-0000-6140-8139, Loehr, J.D. orcid.org/0000-0002-9649-1451 et al. (3 more authors) (2023) MMM Duet System: New accessible musical technology for people living with dementia. In: AM '23: Proceedings of the 18th International Audio Mostly Conference. AM '23: Audio Mostly 2023, 30 Aug - 01 Sep 2023, Edinburgh, United Kingdom. Association for Computing Machinery (ACM) , pp. 38-44. ISBN 9798400708183

Christensen, J. orcid.org/0000-0002-5373-5532, MacRitchie, J. orcid.org/0000-0003-4183-6552, Floridou, G. et al. (2 more authors) (2022) Using technology to assist creative arts activities in dementia care. Alzheimer's & Dementia, 18 (S8). ISSN 1552-5260

Christensen, J. orcid.org/0000-0002-5373-5532, MacRitchie, J. orcid.org/0000-0003-4183-6552, Neokleous, M. et al. (3 more authors) (2023) Designing new musical technologies for wellbeing – exploring the needs and preferences of those living with dementia. Alzheimer's & Dementia: The Journal of the Alzheimer's Association, 19 (S19). e080154. ISSN 1552-5260

Christensen, J. orcid.org/0000-0002-5373-5532, MacRitchie, J. orcid.org/0000-0003-4183-6552, Neokleous, M. et al. (3 more authors) (2023) Designing new musical technologies for wellbeing – exploring the needs and preferences of those living with dementia. Alzheimer's & Dementia: The Journal of the Alzheimer's Association, 19 (S11). e082229. ISSN 1552-5260

Christensen, J. orcid.org/0000-0002-5373-5532, MacRitchie, J. orcid.org/0000-0003-4183-6552 and Timmers, R. orcid.org/0000-0002-1981-0834 (2022) Accessible and meaningful engagement for people living with dementia when transitioning arts activities online. Alzheimer's & Dementia, 18 (S9). e063236. ISSN 1552-5260

Christensen, J. orcid.org/0000-0002-5373-5532, Slavik, L., Nicol, J.J. orcid.org/0000-0001-5532-8474 et al. (1 more author) (2023) Alpha oscillations related to self-other integration and distinction during live orchestral performance: a naturalistic case study. Psychology of Music, 51 (1). pp. 295-315. ISSN 0305-7356

Clarke, E., Doffman, M. and Timmers, R. (2016) Creativity, collaboration and development in Jeremy Thurlow's Ouija for Peter Sheppard Skaerved. Journal of the Royal Musical Association, 141 (1). pp. 113-165. ISSN 0269-0403

Cook, J.M. (2016) Playing with the Past in the Imagined Middle Ages: Music and Soundscape in Video Game. Sounding Out!.

Cook, J.M. (2017) Three-voice textures in the mid-15th-century English Mass cycle. Early Music, 45 (1). pp. 41-54. ISSN 0306-1078

Coulter, B.H. (2017) "Singing from the Heart": Notions of gendered authenticity in pop music. In: Hawkins, S., (ed.) The Routledge Research Companion to Popular Music and Gender. Routledge , pp. 267-280. ISBN 9781472456830

Curwen, C. (2018) Music-colour synaesthesia: Concept, context and qualia. Consciousness and Cognition, 61. pp. 94-106. ISSN 1053-8100

Curwen, C. orcid.org/0000-0003-2557-7909 (2022) Music-colour synaesthesia: a sensorimotor account. Musicae Scientiae, 26 (2). pp. 388-407. ISSN 1029-8649

Curwen, C. orcid.org/0000-0003-2557-7909 (2022) The role of synaesthesia in reading written musical key signatures. Journal of Experimental Psychology: General, 151 (10). pp. 2284-2299. ISSN 0096-3445

Curwen, C. orcid.org/0000-0003-2557-7909, Timmers, R. orcid.org/0000-0002-1981-0834 and Schiavio, A. orcid.org/0000-0001-8109-9185 (2024) Action, emotion, and music-colour synaesthesia: an examination of sensorimotor and emotional responses in synaesthetes and non-synaesthetes. Psychological Research, 88 (2). pp. 348-362. ISSN 0340-0727

Curwen, C. orcid.org/0000-0003-2557-7909, Timmers, R. orcid.org/0000-0002-1981-0834 and Schiavio, A. (2022) Music-colour synaesthesia: sensorimotor features and synaesthetic experience. In: Moran, N. and Kim, Y., (eds.) Conference on Interdisciplinary Musicology. 13th Conference on interdisciplinary Music 22: 'Participation', 08-10 Jun 2022, Edinburgh, UK. Edinburgh University Library .

D

D'Amario, S., Howard, D.M., Daffern, H. et al. (1 more author) (2020) A longitudinal study of intonation in an a cappella singing quintet. Journal of Voice, 34 (1). 159.e13-159.e27. ISSN 0892-1997

Dean, R.T. orcid.org/0000-0002-8859-8902, Chmiel, A. orcid.org/0000-0003-3294-0534, Radnan, M. orcid.org/0000-0003-3836-1162 et al. (2 more authors) (2023) AMMRI: a computational assessment tool for music novices’ replication and improvisation tasks. Journal of New Music Research, 51 (4-5). pp. 262-277. ISSN 0929-8215

Dearn, L.K. and Pitts, S.E. orcid.org/0000-0003-1430-5801 (2017) (Un)popular music and young audiences: Exploring the classical chamber music concert from the perspective of young adult listeners. Journal of Popular Music Education, 1 (1). pp. 43-62. ISSN 2397-6721

Dearn, L.K. and Price, S.M. orcid.org/0000-0002-8655-5458 (2016) Sharing music : social and communal aspects of concert-going. Networking Knowledge, 9 (2). ISSN 1755-9944

Dibben, N. orcid.org/0000-0002-9250-5035 (2017) Music and Environmentalism in Iceland. In: Holt, F. and Kärjä, A-V., (eds.) Oxford Handbook of Popular Music in the Nordic Countries. Oxford University Press , Oxford . ISBN 9780190603908

Dibben, N. (2015) Music as a way of knowing: Comment on "Music, empathy, and cultural understanding" by E. Clarke et al. Physics of Life Reviews. ISSN 1571-0645

Dibben, N. orcid.org/0000-0002-9250-5035 (2014) Visualizing the App Album with Björk's Biophilia. In: Vernallis, C., Herzog, A. and Richardson, J., (eds.) The Oxford Handbook of Sound and Image in Digital Media. Oxford Handbooks . Oxford University Press , Oxford , pp. 682-706. ISBN 0190258179

Dibben, N. (2006) The socio-cultural and learning experiences of music students in a British university. British Journal of Music Education, 23 (1). pp. 91-116. ISSN 0265-0517

Dibben, N. orcid.org/0000-0002-9250-5035, Coutinho, E. and Scherer, K. (2014) Singing and Emotion. In: Welch, G., Howard, D.M. and Nix, J., (eds.) The Oxford Handbook of Singing. Oxford Handbooks Online . OUP . ISBN 9780199660773

Dibben, N. orcid.org/0000-0002-9250-5035, Coutinho, E., Vilar, J.A. et al. (1 more author) (2018) Do individual differences influence moment-by-moment reports of emotion perceived in music and speech prosody? Frontiers in Behavioral Neuroscience, 12. 184. ISSN 1662-5153

Dibben, N. orcid.org/0000-0002-9250-5035 and Guerpin, M. (2022) Biophilia: 10 years later. Circuit: Musiques contemporaines, 31 (3). pp. 69-80. ISSN 1183-1693

Downs, J.K. orcid.org/0000-0002-2327-5854 (2021) Acoustic Territories of the Body: Headphone Listening, Embodied Space, and the Phenomenology of Sonic Homeliness. Journal of Sonic Studies, 21.

Downs, J.K. orcid.org/0000-0002-2327-5854 (2021) Headphones, auditory violence and the sonic flooding of corporeal space. Body & Society, 27 (3). pp. 58-86. ISSN 1357-034X

Downs, J.K. orcid.org/0000-0002-2327-5854 (2020) A textbook social history of musical media technology. Sound Studies, 6 (2). pp. 265-268. ISSN 2055-1940

Doyle, O. orcid.org/0009-0006-0507-1344 (2023) Musicianship and the masteries of the stars: music and musicians in the Liber Nativitatum. Renaissance Studies. ISSN 0269-1213

Draisey-Collishaw, R. orcid.org/0000-0002-3187-7564 (2021) Listener discretion advised: the power and politics of intercultural encounters on music radio. Music and Politics, 15 (1). ISSN 1938-7687

Draisey-Collishaw, R. orcid.org/0000-0002-3187-7564 and Pegley, K. (2023) “Disinclined to politicize”? Music and Canadian politics 2.0. Music & Politics, 17 (2). ISSN 1938-7687

E

Emerson, K. orcid.org/0000-0002-6210-7220, Williamson, V. orcid.org/0000-0002-1985-8547 and Wilkinson, R. orcid.org/0000-0002-8036-4415 (2019) Once more, with feeling: Conductors’ use of assessments and directives to provide feedback in choir rehearsals. Musicae Scientiae, 23 (3). pp. 362-382. ISSN 1029-8649

F

Finney, J. and MacGregor, E. orcid.org/0000-0002-4026-8816 (2020) Propaganda, protest and politics. In: Finney, J., Philpott, C. and Spruce, G., (eds.) Creative and Critical Projects in Classroom Music: Fifty Years of Sound and Silence. Routledge , Abingdon , pp. 163-168. ISBN 9780367417727

Floridou, G, Williamson, V, Stewart, L et al. (1 more author) (2015) The Involuntary Musical Imagery Scale (IMIS). Psychomusicology: Music, Mind and Brain, 1 (25). 28 - 28. ISSN 0275-3987

Floridou, G. orcid.org/0000-0003-1666-8083, Williamson, V. and Emerson, L.-M. (2018) Towards a new methodological approach: A novel paradigm for covertly inducing and sampling different forms of spontaneous cognition. Consciousness and Cognition, 65. pp. 126-140. ISSN 1053-8100

Floridou, G., Williamson, V. orcid.org/0000-0002-1985-8547 and Stewart, L. (2017) A novel indirect method for capturing involuntary musical imagery under varying cognitive load. Quarterly Journal of Experimental Psychology, 70 (11). pp. 2189-2199. ISSN 1747-0218

Floridou, G.A. orcid.org/0000-0003-1666-8083, Mencke, I., Caprini, F. et al. (1 more author) (2023) The genesis of a tune in the mind: an interview study about novel involuntary musical imagery repetition. Music & Science, 6. pp. 1-13. ISSN 2059-2043

Floridou, G.A. orcid.org/0000-0003-1666-8083, Peerdeman, K.J. and Schaefer, R.S. (2022) Individual differences in mental imagery in different modalities and levels of intentionality. Memory & Cognition, 50 (1). pp. 29-44. ISSN 0090-502X

G

Gerson, S.A., Schiavio, A., Timmers, R. et al. (1 more author) (2015) Active Drumming Experience Increases Infants' Sensitivity to Audiovisual Synchrony during Observed Drumming Actions. PLoS ONE, 10 (6). e0130960. ISSN 1932-6203

Granot, R., Spitz, D.H., Cherki, B.R. et al. (21 more authors) (2021) “Help! I need somebody”: music as a global resource for obtaining wellbeing goals in times of crisis. Frontiers in Psychology, 12. 648013. ISSN 1664-1078

Graziano, J., Cooper, T. and Marshall, E. orcid.org/0000-0001-8883-4859 (2017) Book reviews : New York City and the Hollywood Musical: Dancing in the Streets, Martha Shearer (2016), London: Palgrave Macmillan, 230 pp., ISBN: 9781137569370, h/bk, £67.99. Studies in Musical Theatre, 11 (3). pp. 311-318. ISSN 1750-3159

Gross, J. and Pitts, S.E. orcid.org/0000-0003-1430-5801 (2016) Audiences for the contemporary arts: Exploring varieties of participation across art forms in Birmingham, UK. Participations, 13 (1). pp. 4-23. ISSN 1749-8716

Gubbins, H. orcid.org/0000-0003-1595-8409 (2017) Encoding authenticity in radio music:  Renfro Valley Barn Dance and Kentucky Folk Music. Ethnomusicology Ireland (5). pp. 15-30. ISSN 2009-4094

Gubbins, H., O'Halloran, S., Kearney, D. et al. (3 more authors) (2008) A Forum for the Practice of Musicology in Ireland. British Postgraduate Musicology, 9. ISSN 1460-9231

H

Halpern, A., Talarico, J.M., Gouda, N. et al. (1 more author) (2018) Are Musical Autobiographical Memories Special? It Ain’t Necessarily So. Music Perception, 35 (5). pp. 561-572. ISSN 0730-7829

Hardcastle, E., Pitts, S.E. and Arostegui, J.L. (2017) A cross-cultural comparison of music education experiences and ambitions in two Spanish and English primary schools. International Journal of Music Education, 35 (3). pp. 381-390. ISSN 1744-795X

Hawkes, M.E. (2016) Enhancing performance: An exploratory study of performance coaching in practice in a UK conservatoire. Arts and Humanities as Higher Education (Special Issue 2016).

Hendry, N. (2023) Fitting in and sticking out: An exploratory study of the Whiteness of the school music curriculum and its effects on Global Majority musicians. Journal of Popular Music Education, 7 (1). pp. 25-45. ISSN 2397-6721

Henry, C. and Shephard, T. orcid.org/0000-0003-4053-8916 (2023) Introduction. In: Henry, C. and Shephard, T., (eds.) Music and Visual Culture in Renaissance Italy. Music and Visual Culture . Routledge , pp. 1-12. ISBN 9780367465391

Herbert, R. and Dibben, N. orcid.org/0000-0002-9250-5035 (2018) Making sense of music: Meanings 10- to 18-year-olds attach to experimenter-selected musical materials. Psychology of Music, 46 (3). pp. 375-391. ISSN 1741-3087

Hield, F. (2016) Roots of the Revival: American and British Folk Music in the 1950s. Folk Music Journal, 11 (1). 93 - 95. ISSN 0531-9684

Hield, F. and Pitts, S.E. orcid.org/0000-0003-1430-5801 (2016) Creativity and community in an entrepreneurial undergraduate music module. In: Haddon, E. and Burnard, P., (eds.) Creative Teaching for Creative Learning in Higher Music Education. Routledge , Abingdon , pp. 227-239. ISBN 9781472455918

Hield, F. orcid.org/0000-0001-9819-1420 and Price, S. (2018) 'I realised it was the same song': Familiarisation, assimilation and making meaning with new folk music. International Journal of Traditional Arts (2). 18. ISSN 2631-6064

Hield, F.E. orcid.org/0000-0001-9819-1420 and Price, S. (2017) ‘Old Adam was the first man formed’: (In)forming and investigating listeners’ experiences of new music as audience enrichment, public engagement and research. Participations, 14 (1). pp. 285-312. ISSN 1749-8716

Hield, F. orcid.org/0000-0001-9819-1420 (2022) Musics Lost and Found: Song Collectors and the Life and Death of Folk Tradition Michael Church. Woodbridge: Boydell Press, 2021. xv + 294 pp. Illustrations. Bibliography. Discography. Index. ISBN: 978-1-783-27607-3 (hbk). Folk Music Journal, 12 (3). pp. 136-137. ISSN 0531-9684

Hield, F. orcid.org/0000-0001-9819-1420, Larrington, C., Hadley, S. et al. (1 more author) (2021) The obscure becomes vivid: Perspectives on the (re)mediation of fairy lore by folklorists, performers and audiences. Revenant, 6. pp. 11-30. ISSN 2397-8791

Hield, F. orcid.org/0000-0001-9819-1420 and Mansfield, P. (2019) Anything goes? Recognising norms, leadership and moderating behaviours at folk clubs in England. Ethnomusicology Forum, 28 (3). pp. 338-361. ISSN 1741-1912

Hill, A., Burland, K., King, E. et al. (1 more author) (2020) Perfectionistic self-presentation and emotional experiences in music students: A three-wave longitudinal study. Psychology of Music, 48 (6). pp. 766-776. ISSN 0305-7356

Holzapfel, A., Benetos, E., Killick, A. et al. (1 more author) (2021) Humanities and engineering perspectives on music transcription. Digital Scholarship in the Humanities, 37 (3). pp. 747-764. ISSN 2055-7671

Howe, M.J.A., Davidson, J.W. and Sloboda, J.A. (1998) Innate talents: reality or myth? Behavioral and Brain Sciences, 21 (3). pp. 399-407. ISSN 0140-525X

K

Kan, M.M.P. orcid.org/0000-0002-8136-2956, Dibben, N. orcid.org/0000-0002-9250-5035 and Wong, A.Y.L. (2023) A cognitive intervention to correct a maladaptive technique in organists due to prior music learning: a randomized controlled trial. Psychology of Music. ISSN 0305-7356

Keefe, S. (2016) ‘“Die trefflich gewählten Instrumente”: Orchestrating Don Giovanni’s Defeat’. In: Mozart in Prague: Essays on Performance, Patronage, Sources and Reception. Mozart in Prague, 2009. (Joint conference of the the Mozart Society of America and the Society for Eighteenth-Century Music), 09-13 Jun 2009, Prague. Czech Academy of Sciences , Prague , pp. 343-369. ISBN 978-80-88081-06-7

Keefe, S.P. (2021) "Es ist der Mühe werth" : the performance and reception of Pleyel's Op. 1 String Quartets. In: Klauk, S., (ed.) Instrumentalmusik neben Haydn und Mozart. Saarbrücker Studien zur Musikwissenschaft (20). Könighausen & Neumann , Würzburg , pp. 179-194. ISBN 9783826070211

Keefe, S.P. (2020) “No kind of reading is so generally interesting as biography”: Establishing Narratives for Haydn and Mozart in the Second and Third Decades of the Nineteenth Century. 19th-Century Music, 44 (2). pp. 67-79. ISSN 0148-2076

Keegan-Phipps, S. orcid.org/0000-0002-3873-9455 and Winter, T. (2017) Albion Voice: The Englishness of Bishi. In: Brooks, L., Donnelly, M. and Mills, R., (eds.) Mad Dogs and Englishness: Popular Music and English Identities. Bloomsbury , London , pp. 193-210. ISBN 9781501311253

Keegan-Phipps, S. orcid.org/0000-0002-3873-9455 (2017) Identifying the English: essentialism and multiculturalism in contemporary English folk music. Ethnomusicology Forum, 26 (1). pp. 3-25. ISSN 1741-1912

Keegan-Phipps, S. orcid.org/0000-0002-3873-9455 and Wright, L. (2020) “Tradition,” vernacularism, and learning to be a folk musician with social media. In: Waldron, J., Horsley, S. and Veblen, K., (eds.) The Oxford Handbook of Social Media and Music Learning. Oxford Handbooks . Oxford University Press , New York , pp. 443-466. ISBN 9780190660772

Khatchatourov, A., Pachet, F. and Rowe, V. (2016) Action Identity in Style Simulation Systems: Do Players Consider Machine-Generated Music As of Their Own Style? Frontiers in Psychology, 7. 474. ISSN 1664-1078

Killick, A.P. (2017) Composing at the Intersection of East and West: Beyond Nationalism and Exoticism? In: Lee, T.S., (ed.) The Routledge Handbook on Asian Music: Cultural Intersections. Routledge , New York . (Submitted)

Killick, A.P. (2017) Traditional Music and the Work Concept: The Kayagŭm Sanjo of Hwang Byungki. Yearbook for Traditional Music, 49. ISSN 0740-1558

Killick, A. (2020) Global notation as a tool for cross-cultural and comparative music analysis. Analytical Approaches to World Music, 8 (2). pp. 235-279. ISSN 2158-5296

King, H., Kersh, N., Potter, J. et al. (1 more author) (2015) Learner-led and boundary free: learning across contexts. In: Hohenstein, J. and King, H., (eds.) Learning Beyond the Classroom. British journal of educational psychology. Monograph series II (11). British Psychological Society , Leicester, United Kingdom , 39 - 49. ISBN 9781854337375

Kirk, R. orcid.org/0000-0001-5499-0271 and Bresler, Z. (2020) The 12th International Conference of Students of Systematic Musicology (SysMus19). Music & Science, 3. ISSN 2059-2043

Knowles, T. (2017) English folk law: a brief introduction to pub licensing. International Journal of Traditional Arts, 1 (1). ISSN 2631-6064

Korte, M., Cerci, D. and Williamson, V.J. orcid.org/0000-0002-1985-8547 (2018) Autopilot revisited – differences in emotion regulation between university based music and non-music students, and music college students. In: Parncutt, R. and Sattmann, S., (eds.) ICMPC15/ESCOM10: Abstract Book. ICMPC15/ESCOM10, 23-28 Jul 2018, Graz, Austria. Centre for Systematic Musicology, University of Graz , p. 270.

Korte, M., Cerci, D. and Williamson, V.J. orcid.org/0000-0002-1985-8547 (2018) Going beyond the rhetoric of the 'mad creative' myth – musicians and mood disorders. In: Parncutt, R. and Sattmann, S., (eds.) ICMPC15/ESCOM10: Abstract Book. ICMPC15/ESCOM10, 23-28 Jul 2018, Graz, Austria. Centre for Systematic Musicology, University of Graz , pp. 282-283.

Korte, M., Cerci, D. and Williamson, V.J. (2017) ‘Playing on autopilot’. New insights on emotion regulation in music students. In: 25th Anniversary Conference of the European Society for the Cognitive Sciences of Music: Book of Abstracts. ESCOM 2017, 31 Jul - 04 Aug 2017, Ghent. ESCOM , pp. 17-18.

Korte, M., Perkins, R. and Willamon, A. (2013) Learning to perform in older adulthood: Implications for physical and mental wellbeing. In: Proceedings of the International Symposium on Performance Science 2013. International Symposium on Performance Science, 25-31 Aug 2013, Vienna, Austria. European Association of Conservatoires , Brussels, Belgium , pp. 459-465. ISBN 9782960137804

Korte, M., Cerci, D., Wehry, R. et al. (2 more authors) (2023) The relationship between musicianship and pain. Is chronic pain and its management a problem for student musicians only? Frontiers in Pain Research, 4. 1194934. ISSN 2673-561X

Korte, M., Cerci, D., Wehry, R. et al. (2 more authors) (2023) The same but different. Multidimensional assessment of depression in students of natural science and music. Health Psychology Research, 11 (1). ISSN 2281-2075

L

Larrington, C. and Hield, F. orcid.org/0000-0001-9819-1420 (2021) Making 'Modern Fairies' : making fairies modern. Folklore, 132 (1). pp. 72-96. ISSN 0015-587X

Lee-Harris, G., Blackburn, D., Timmers, R. et al. (1 more author) (2018) Music for relaxation: A comparison across two age groups. Journal of Music Therapy. ISSN 0022-2917

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Pitts, S.E. (2014) Exploring musical expectations: Understanding the impact of a year-long primary school music project in the context of school, home and prior learning. Research Studies in Music Education, 36 (2). 129 - 146. ISSN 1321-103X

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Pitts, S.E. (2014) Musical, social and moral dilemmas: investigating audience motivations to attend concerts. In: Burland, K. and Pitts, S.E., (eds.) Coughing and Clapping: Investigating Audience Experience. SEMPRE Studies in The Psychology of Music . Ashgate , Oxford, UK , 21 - 33. ISBN 978-1-4094-6981-0

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Timmers, R. (2016) Book Review: Dorottya Fabian, A musicology of performance: Theory and method based on Bach’s solos for violin. Musicae Scientiae: the journal of the European Society for the Cognitive Sciences of Music, 20 (2). pp. 274-279. ISSN 1022-9299

Timmers, R. (2003) On the contextual appropriateness of expression. Music Perception, 20 (3). pp. 225-240. ISSN 0730-7829

Timmers, R. (2007) Perception of music performance on historical and modern commercial recordings. The Journal of the Acoustical Society of America (JASA), 122 (5). pp. 2872-2880. ISSN 0001-4966

Timmers, R. (2007) Vocal expression in recorded performances of Schubert songs. Musicae Scientiae, 11 (2). pp. 237-268. ISSN 1029-8649

Timmers, R. (2021) The case of ensemble performance. In: Thompson, W.F. and Olson, K.N., (eds.) The Science and Psychology of Music: From Beethoven at the Office to Beyoncé at the Gym. Greenwood (ABC-CLIO) , pp. 274-277. ISBN 9781440857713

Timmers, R. and Ashley, R. (2007) Emotional ornamentation in performances of a Handel sonata. Music Perception, 25 (2). pp. 117-134. ISSN 0730-7829

Timmers, R. and Crook, H. (2012) Affective Priming in Music Listening: Emotions as a Source of Musical Expectation. Music Perception, 31 (5). 470 - 484. ISSN 0730-7829

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Timmers, R., Endo, S. and Wing, A. (2014) Temporal coordination in string quartet performance. In: Proceedings of the International Symposium on Performance Science 2013. International Symposium on Performance Science, 28-31 Aug 2013, Vienna, Austria. European Association of Conservatoires (AEC) , Brussels, Belgium , pp. 569-574. ISBN 978-2-9601378-0-4

Timmers, R. and Granot, R.Y. (2016) Letter of the guest editors of the special issue on “Music as a multimodal experience”. Psychomusicology: Music, Mind, and Brain, 26 (2). pp. 101-102. ISSN 0275-3987

Timmers, R., Sadakata, M. and Desain, P. (2012) The Role of Visual Feedback and Creative Exploration for the Improvement of Timing Accuracy in Performing Musical Ornaments. Music Perception, 30 (2). 187 - 204. ISSN 0730-7829

Timmers, R. and Shen, L. (2016) Representation of Pitch in Horizontal Space and Its Dependence on Musical and Instrumental Experience. Psychomusicology: Music, Mind and Brain, 26 (2). pp. 139-148. ISSN 0275-3987

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Z

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Zhu, H. and Pitts, S. orcid.org/0000-0003-1430-5801 (2021) When the music stops: the effects of lockdown on amateur music groups. Journal of Music, Health and Wellbeing (Special issue). ISSN 2515-981X

Ș

Ștefănescu, L. (2023) ‘De Voluptate Aurium’: the sounds of heaven in a 1501 sensory treatise on the afterlife. Renaissance Studies. ISSN 0269-1213

This list was generated on Tue Mar 19 03:47:15 2024 GMT.