Hugh Davies’s Electroacoustic Musical Instruments and their Relation to Present-Day Live Coding Practice: Some Historic Precedents and Similarities

Mooney, JR (2015) Hugh Davies’s Electroacoustic Musical Instruments and their Relation to Present-Day Live Coding Practice: Some Historic Precedents and Similarities. In: McLean, A, Magnusson, T, Ng, K, Knotts, S and Armitage, J, (eds.) Proceedings of the First International Conference on Live Coding. International Conference on Live Coding, 13-15 Jul 2015, Leeds, UK. ICSRiM , 53 - 62. ISBN 9780853163404

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Authors/Creators:
  • Mooney, JR
Copyright, Publisher and Additional Information: (c) 2015, The Author. This is an open access article under the terms of the Creative Commons Attribution License
Keywords: Hugh Davies; live coding; electroacoustic music; live electronic music; DIY music
Dates:
  • Published: 6 July 2015
Institution: The University of Leeds
Academic Units: The University of Leeds > Faculty of Performance, Visual Arts and Communications (Leeds) > School of Music (Leeds)
Funding Information:
FunderGrant number
Arts & Humanities Research Council AHRCAH/M005216/1
Depositing User: Symplectic Publications
Date Deposited: 08 Jul 2015 10:32
Last Modified: 08 Jul 2015 10:32
Published Version: http://dx.doi.org/10.5281/zenodo.19319
Status: Published
Publisher: ICSRiM
Identification Number: https://doi.org/10.5281/zenodo.19319

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