Killick, A.P. (2017) Traditional Music and the Work Concept: The Kayagŭm Sanjo of Hwang Byungki. Yearbook for Traditional Music, 49. ISSN 0740-1558
Abstract
In The Imaginary Museum of Musical Works, Lydia Goehr argues that the Western concept of a musical “work” has been extended to “music of almost any sort.” This phenomenon has profoundly affected the world’s musical life, yet it has not been systematically studied. This paper examines a country—Korea—where the “work-concept” has been imported with Western music and extended to traditional music. Yet it also highlights a musician—Hwang Byungki—who has continued to treat a traditional genre (kayagŭm sanjo) as something different from a “work,” illustrating how traditional music may help contest the “conceptual imperialism” of the work-concept.
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Copyright, Publisher and Additional Information: | © 2017 International Council for Traditional Music. This is an author produced version of a paper subsequently published in Yearbook for Traditional Music. Uploaded in accordance with the publisher's self-archiving policy. | ||||
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Institution: | The University of Sheffield | ||||
Academic Units: | The University of Sheffield > Faculty of Arts and Humanities (Sheffield) > Department of Music (Sheffield) | ||||
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Depositing User: | Symplectic Sheffield | ||||
Date Deposited: | 16 Jun 2017 13:53 | ||||
Last Modified: | 17 Jun 2019 15:46 | ||||
Published Version: | https://ictmusic.org/yearbook/yearbook-traditional... | ||||
Status: | Published | ||||
Publisher: | International Council for Traditional Music | ||||
Refereed: | Yes |