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Number of items: 8.


Iddon, M, Payne, E and Thomas, P (2019) Disruption and Discipline: Approaches to Performing John Cage's Concert for Piano and Orchestra. Music & Practice, 5. ISSN 1893-9562

Iddon, M (2017) The Musical Legacy of Karlheinz Stockhausen: Looking Back and Forward. Ed. by M. J. Grant and Imke Misch. Music and Letters, 97 (4). pp. 667-669. ISSN 0027-4224

Iddon, M (2017) Bartók after Catastrophe: Reading Bartók through Adorno in the post-war era. International Journal of Musicology, New Series, 3. pp. 179-184. ISSN 0941-9535

Iddon, M (2016) Outsourcing Progress: On Conceptual Music. Tempo, 70 (275). pp. 36-49. ISSN 0040-2982

Iddon, M (2014) Brian Hulse and Nick Nesbitt (eds.), Sounding the virtual: Gilles Deleuze and the theory and philosophy of music. Music Analysis, 33 (3). 417 - 428. ISSN 0262-5245

Conference or Workshop Item

Thomas, P, Iddon, M, Melen, C et al. (1 more author) Documentary and digital approaches to performing John Cage’s Concert for Piano and Orchestra. In: Performance Studies Network 5th International Conference, 05-08 Jul 2018, Norwegian Academy of Music, Oslo.

Proceedings Paper

Payne, E, Iddon, M, Thomas, P et al. (1 more author) (2017) ‘… a solo or a part in an ensemble, symphony, or concerto’: documenting performer perspectives on John Cage’s Concert for Piano and Orchestra (1957–58). In: N/A. Tracking the Creative Process in Music International conference, 4th edition, 14-16 Sep 2017, University of Huddersfield. .

Payne, E, Iddon, M, Thomas, P et al. (1 more author) (2016) Performing at the limits: John Cage’s Solo for Piano. In: N/A. Performance Studies Network 4th International Conference, 14-17 Jul 2016, Bath Spa University. .

This list was generated on Sun Jan 26 10:53:39 2020 GMT.