Bray, J. (2016) The language of portraiture in the early nineteenth century novel: a study in Opie and Austen. Women's Writing, 23 (1). pp. 53-67. ISSN 0969-9082
Abstract
This article examines how two female writers of the early nineteenth century, Amelia Opie and Jane Austen, employ the language of portraiture in their fiction to illustrate the difficulties inherent in the assessment of character, especially for the female heroine. The representation of actual portraits in their work is discussed, along with the use of language associated with the form. Both writers, it is suggested, are aware of important changes within the theory and practice of portraiture in the period, and explore these in their fiction to draw attention to the instability and subjectivity of interpretation.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | © 2015 Taylor & Francis. This is an author produced version of a paper subsequently published in Women's Writing. Uploaded in accordance with the publisher's self-archiving policy. |
Dates: |
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Institution: | The University of Sheffield |
Academic Units: | The University of Sheffield > Faculty of Arts and Humanities (Sheffield) > School of English (Sheffield) |
Depositing User: | Symplectic Sheffield |
Date Deposited: | 05 May 2016 11:19 |
Last Modified: | 25 Jul 2017 14:13 |
Published Version: | https://dx.doi.org/10.1080/09699082.2015.1103989 |
Status: | Published |
Publisher: | Taylor & Francis |
Identification Number: | 10.1080/09699082.2015.1103989 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:98476 |