Boukhelifa, N. and Duke, D.J. (2008) The Aesthetics of the Underworld. In: Brown, P., Cunningham, D.W., Interrante, V. and McCormack, J., (eds.) Computational Aesthetics in Graphics, Visualization, and Imaging (2008). International Symposium on Computational Aesthetics in Graphics, Visualization, and Imaging, June 18–20 2008, Lisbon, Portugal. Eurographics , pp. 41-48. ISBN 1816-0859
Although the development of computational aesthetics has largely concentrated on 3D geometry and illustrative rendering, aesthetics are equally an important principle underlying 2D graphics and information visualization. A canonical example is Beck’s design of the London underground map, which not only produced an informative and practical artefact, but also established a design aesthetic that has been widely adopted in other applications. This paper contributes a novel hybrid view to the debate on aesthetics. It arises from a practical industrial problem, that of mapping the vast network of underground assets, and producing outputs that can be readily comprehended by a range of users, from back-office planning staff through to on-site excavation teams. This work describes the link between asset drawing aesthetics and tasks, and discusses methods developed to support the presentation of integrated asset data. It distinguishes a holistic approach to visual complexity, taking clutter as one component of aesthetics, from the graph-theoretic reductionist model needed to measure and remove clutter. We argue that ‘de-cluttering’ does not mean loss of information, but rather repackaging details to make them more accessible. In this respect, aesthetics have a fundamental role in implementing Schneiderman’s mantra of ‘overview, zoom & filter, details-on-demand’ for information visualization.
|Institution:||The University of Leeds|
|Academic Units:||The University of Leeds > Faculty of Engineering (Leeds) > School of Computing (Leeds)|
|Depositing User:||Repository Officer|
|Date Deposited:||10 Aug 2009 16:41|
|Last Modified:||04 Nov 2016 04:02|