The end of the hour-glass: alternative conceptions of intercultural exchange between European and Chinese operatic forms

Pitches, JD and Li, R (2012) The end of the hour-glass: alternative conceptions of intercultural exchange between European and Chinese operatic forms. Studies in Theatre and Performance, 32 (2). 121 - 137. ISSN 1468-2761

Abstract

Metadata

Authors/Creators:
  • Pitches, JD
  • Li, R
Copyright, Publisher and Additional Information: © 2012 Intellect Ltd. This is an Accepted Manuscript of an article published by Taylor & Francis in Studies in Theatre & Performance on 21/06/12, available online: http://wwww.tandfonline.com/10.1386/stap.32.2.121_1
Keywords: China; Europe; individualistic conception; interculturalism; intraculturalism; opera; theatre training
Institution: The University of Leeds
Academic Units: The University of Leeds > Faculty of Arts (Leeds) > School of Modern Languages and Cultures (Leeds) > East Asian Studies (Leeds)
The University of Leeds > Faculty of Performance, Visual Arts and Communications (Leeds) > Performance and Cultural Industries (Leeds)
Depositing User: Symplectic Publications
Date Deposited: 08 May 2015 08:58
Last Modified: 09 May 2015 06:42
Published Version: http://dx.doi.org/10.1386/stap.32.2.121_1
Status: Published
Publisher: Taylor & Francis
Refereed: Yes
Identification Number: https://doi.org/10.1386/stap.32.2.121_1

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