Pitches, JD (2007) Tracing/training rebellion - object work in Meyerhold's biomechanics. Performance Research, 12 (4). pp. 97-103. ISSN 1352-8165
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Lying in the Russian State Archive of Literature and Arts in Moscow (RGALI) is a nine-page document entitled Programme of Biomechanics, Meyerhold Workshop (1922). Though modest in size, it is an unashamedly ambitious programme, which sought to redefine acting in a post-revolutionary context and to place performer training in Russia on a par with science. ‘The task of the biomechanical laboratory is to work out through experimentation a biomechanical system of acting and of actor’s training’ (Hoover 1974: 314), the document claims, setting out a dedicated model of Practice as Research, seventy years before the term became common place in the UK.
|Copyright, Publisher and Additional Information:||© 2007 Taylor & Francis Ltd. This is an author produced version of a paper published in Performance Research. Uploaded in accordance with the publisher's self archiving policy. Embargoed according to the publisher's requirements.|
|Institution:||The University of Leeds|
|Academic Units:||The University of Leeds > Faculty of Performance, Visual Arts and Communications (Leeds) > Performance and Cultural Industries (Leeds)|
|Depositing User:||Repository Administrator York|
|Date Deposited:||16 Apr 2008 17:58|
|Last Modified:||26 Mar 2013 12:15|
|Publisher:||Taylor & Francis|