Watt, S. (2020) Thompson, Céline and Tavernier: an historical echo chamber of western imperial ideology. New Readings, 17 (2). pp. 105-123. ISSN 1359-7485
Abstract
Bertrand Tavernier’s film Coup de torchon (1981) in dialogue with Jim Thompson’s novel Pop . 1280 (1964) and Louis-Ferdinand Céline’s Voyage au bout de la nuit (1932) produces an historical echo chamber around racial violence which is rooted in layers of historical practices and discourses with transatlantic ramifications. This article argues that racial violence resonates across historical periods and functions as a metonymic narrative thread between the texts, bringing together the history of slavery, racial segregation, colonial violence and neo-colonial power as an integral part of Western culture and identity. This article analyses this historical convergence as a form of multiple enunciation, creating a metatextual space which allows for the articulation of a strong critique of Western imperial violence and thought systems.
Metadata
Item Type: | Article |
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Authors/Creators: |
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Copyright, Publisher and Additional Information: | © 2020 The Author. This work is licensed under a Creative Commons Attribution 4.0 International Licence. URL: https://creativecommons.org/licenses/by/4.0/ |
Keywords: | colonialism; Western imperialism; representation; translation; localization; Jim Thompson; Bertrand Tavernier; Louis-Ferdinand Céline |
Dates: |
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Institution: | The University of Sheffield |
Academic Units: | The University of Sheffield > Faculty of Arts and Humanities (Sheffield) > School of Languages and Cultures (Sheffield) |
Depositing User: | Symplectic Sheffield |
Date Deposited: | 30 Jun 2020 15:24 |
Last Modified: | 29 Jan 2021 16:58 |
Status: | Published |
Publisher: | Cardiff University Press |
Refereed: | Yes |
Identification Number: | 10.18573/newreadings.117 |
Open Archives Initiative ID (OAI ID): | oai:eprints.whiterose.ac.uk:162562 |