Embodied Meaning and Art as Sense-Making: A Critique of Beiser's Interpretation of the "End of Art Thesis"

Giladi, P. (2016) Embodied Meaning and Art as Sense-Making: A Critique of Beiser's Interpretation of the "End of Art Thesis". Journal of Aesthetics and Culture, 8. ISSN 2000-4214

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Authors/Creators:
  • Giladi, P.
Copyright, Publisher and Additional Information: © 2016 P. Giladi. This is an Open Access article distributed under the terms of the Creative Commons Attribution 4.0 International License (http:// creativecommons.org/licenses/by/4.0/), allowing third parties to copy and redistribute the material in any medium or format and to remix, transform, and build upon the material for any purpose, even commercially, provided the original work is properly cited and states its license.
Keywords: philosophy of art; Hegel; history of art; modernism; End of Art
Dates:
  • Published: 2016
Institution: The University of Sheffield
Academic Units: The University of Sheffield > Faculty of Arts and Humanities (Sheffield) > Department of Philosophy (Sheffield)
Depositing User: Symplectic Sheffield
Date Deposited: 23 May 2016 09:33
Last Modified: 23 May 2016 09:33
Published Version: http://dx.doi.org/10.3402/jac.v8.29934
Status: Published
Publisher: Co-Action Publishing
Refereed: Yes
Identification Number: https://doi.org/10.3402/jac.v8.29934

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