Chantal Akerman and the cinéfille

Mitchell, E orcid.org/0000-0003-2356-7205 (2023) Chantal Akerman and the cinéfille. Camera Obscura: Feminism, Culture, and Media Studies, 38 (1). 112. pp. 31-53. ISSN 0270-5346

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Copyright, Publisher and Additional Information: Copyright © 2023 by Camera Obscura Published by Duke University Press This is an author produced version of a paper published in Camera Obscura: Feminism, Culture, and Media Studies. Uploaded in accordance with the publisher's self-archiving policy.
Keywords: girlhood; cinephilia; Chantal Akerman; cinema history
Dates:
  • Accepted: 26 July 2022
  • Published (online): 1 May 2023
Institution: The University of Leeds
Academic Units: The University of Leeds > Faculty of Arts, Humanities and Cultures (Leeds) > Fine Art, History of Art & Cultural Studies (Leeds)
Depositing User: Symplectic Publications
Date Deposited: 03 Aug 2022 14:44
Last Modified: 14 Nov 2023 13:42
Status: Published
Publisher: Duke University Press
Identification Number: https://doi.org/10.1215/02705346-10278572

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