A fine thing for the way : evidence, counter-evidence and argument in the Poetry Contest in Six Hundred Rounds

This article discusses the types of evidence used to support the critical positions taken by Fujiwara no Shunzei and the monk Kenshō in the Poetry Contest in Six Hundred Rounds (Roppyakuban uta’awase; 1193-94). As the largest extant poetry competition judged by a single individual, Shunzei, the Roppyakuban uta’awase illustrates a wide range of compositional practice. It also provides a substantial body of practical waka criticism: by Shunzei in his role as judge, by the participants in their comments on their opponents’ poems, and by Kenshō in his ‘Appeal’ (Chinjō) against Shunzei’s judgements. Analysis of this critical discussion reveals that unusually, both Kenshō and Shunzei use testimonial evidence from informants to support their critical positions, and Kenshō even utilises his own scholarship and poetic writing, in addition to the expected citation of prior poetry and poetic scholarship by poets of previous generations. Though Shunzei limits his testimony to that from members of the court nobility, Kenshō frequently supports his arguments with evidence from members of the peasantry, revealing that the opinions and views of the lower social classes could be given weight in the critical discussions of waka poets at the end of the twelfth century.