Items where authors include "Payne, E"

Article

Abbott, R, Abe, H, Acernese, F et al. (1664 more authors) (2022) Search for gravitational waves from Scorpius X-1 with a hidden Markov model in O3 LIGO data. Physical Review D, 106 (6). 062002. ISSN 2470-0010

Abbott, R, Abe, H, Acernese, F et al. (1693 more authors) (2022) Searches for gravitational waves from known pulsars at two harmonics in the second and third LIGO-Virgo observing runs. The Astrophysical Journal, 935 (1). 1. ISSN 0004-637X

Payne, E orcid.org/0000-0003-2109-8126 (2022) Instrumental Interaction and Subversion in John Cage’s Concert for Piano and Orchestra. Contemporary Music Review. pp. 1-21. ISSN 0749-4467

Iddon, M orcid.org/0000-0003-4282-4334, Payne, E orcid.org/0000-0003-2109-8126 and Thomas, P (2022) Performing Indeterminacy. Contemporary Music Review, 41. pp. 127-129. ISSN 0749-4467

Abbott, R, Abbott, TD, Acernese, F et al. (1656 more authors) (2022) Narrowband searches for continuous and long-duration transient gravitational waves from known pulsars in the LIGO-Virgo third observing run. The Astrophysical Journal, 932 (2). 133. ISSN 0004-637X

Abbott, R, Abbott, TD, Acernese, F et al. (1632 more authors) (2022) Search for gravitational waves associated with gamma-ray bursts detected by Fermi and Swift during the LIGO–Virgo run O3b. The Astrophysical Journal, 928 (2). 186. ISSN 0004-637X

Abbott, R, Abbott, TD, Acernese, F et al. (1624 more authors) (2022) Constraints on dark photon dark matter using data from LIGO’s and Virgo’s third observing run. Physical Review D, 105 (6). 063030. ISSN 2470-0010

Abani, O, Abbas, A, Abbas, F et al. (6300 more authors) (2022) Casirivimab and imdevimab in patients admitted to hospital with COVID-19 (RECOVERY): a randomised, controlled, open-label, platform trial. The Lancet, 399 (10325). pp. 665-676. ISSN 0140-6736

Payne, E orcid.org/0000-0003-2109-8126 (2022) Grounding the Analysis of Cognitive Processes in Music Performance: Distributed Cognition in Musical Activity by Linda T. Kaastra. Music & Science, 5. pp. 1-5. ISSN 2059-2043

Abbott, R, Abbott, TD, Abraham, S et al. (1596 more authors) (2021) Observation of gravitational waves from two neutron star–black hole coalescences. The Astrophysical Journal Letters, 915 (1). L5. ISSN 2041-8205

Abbott, R, Abbott, TD, Abraham, S et al. (1336 more authors) (2021) Population properties of compact objects from the second LIGO–Virgo Gravitational-Wave Transient Catalog. The Astrophysical Journal Letters, 913 (1). L7. ISSN 2041-8205

Abani, O orcid.org/0000-0003-2209-9956, Abbas, A, Abbas, F et al. (6346 more authors) (2021) Tocilizumab in patients admitted to hospital with COVID-19 (RECOVERY): a randomised, controlled, open-label, platform trial. The Lancet, 397 (10285). pp. 1637-1645. ISSN 0140-6736

Abbott, BP, Abbott, R, Abbott, TD et al. (1186 more authors) (2021) A gravitational-wave measurement of the Hubble constant following the second observing run of Advanced LIGO and Virgo. The Astrophysical Journal, 909 (2). 218. ISSN 0004-637X

Collaboration, TLIGOS, Collaboration, TV, Abbott, R et al. (1245 more authors) (2021) Open data from the first and second observing runs of Advanced LIGO and Advanced Virgo. SoftwareX, 13. 100658.

Abbott, BP, Abbott, R, Abbott, TD et al. (1183 more authors) (2020) GW190521 : a binary black hole merger with a total mass of 150 M⊙. Physical Review Letters, 125 (10). 101102. ISSN 0031-9007

Thomas, P and Payne, E orcid.org/0000-0003-2109-8126 (2020) “We also like to be surprised”: Disruption, provocation and surprise in the music of Christian Wolff. Circuit: Musiques contemporaines, 30 (2). pp. 27-45. ISSN 1183-1693

Iddon, M, Payne, E orcid.org/0000-0003-2109-8126 and Thomas, P (2019) Disruption and Discipline: Approaches to Performing John Cage's Concert for Piano and Orchestra. Music & Practice, 5. ISSN 1893-9562

Tse, M, Yu, H, Kijbunchoo, N et al. (198 more authors) (2019) Quantum-enhanced advanced LIGO detectors in the era of gravitational-wave astronomy. Physical Review Letters, 123 (23). 231107. ISSN 0031-9007

Payne, E orcid.org/0000-0003-2109-8126 (2019) Musicians in the Making: Pathways to Creative Performance edited by John Rink, Helena Gaunt, and Aaron Williamon, 2017. New York: Oxford University Press. 408 pp, Hbk, £53.00, ISBN: 9780199346677. British Journal of Music Education, 36 (1). pp. 103-105. ISSN 0265-0517

Payne, E orcid.org/0000-0003-2109-8126 (2018) The craft of musical performance: Skilled practice in collaboration. cultural geographies, 25 (1). pp. 107-122. ISSN 1474-4740

Payne, E orcid.org/0000-0003-2109-8126 and Schuiling, F (2017) The textility of marking: performers’ annotations as indicators of the creative process in performance. Music and Letters, 98 (3). pp. 438-464. ISSN 0027-4224

Payne, E orcid.org/0000-0003-2109-8126 (2017) Repurposing the past? The historical basset clarinet in creative collaboration. Contemporary Music Review, 35 (6). pp. 648-669. ISSN 0749-4467

Book Section

Schuiling, F and Payne, E orcid.org/0000-0003-2109-8126 (2022) Introduction: Notation and/as material culture. In: Schuiling, F and Payne, E, (eds.) Material Cultures of Music Notation: New Perspectives on Musical Inscription. Routledge , London, UK , pp. 1-11.

Payne, E orcid.org/0000-0003-2109-8126 (2021) Time and Ensemble Dynamics in Indeterminacy: John Cage’s Concert for Piano and Orchestra. In: Doffman, M, Payne, E and Young, T, (eds.) The Oxford Handbook of Time in Music. Oxford Handbooks . Oxford University Press , pp. 506-526. ISBN 9780190947279

Payne, E orcid.org/0000-0003-2109-8126 and Thomas, P (2021) Ensemble interaction in indeterminate music: a case study of Christian Wolff's exercises. In: Timmers, R, Bailes, F and Daffern, H, (eds.) Together in Music: Coordination, Expression, Participation. Oxford University Press . ISBN 9780198860761

Payne, E orcid.org/0000-0003-2109-8126 and Thomas, P (2020) Getting exercised: ensemble relations in Christian Wolff’s Exercises. In: Adlington, R and Buch, E, (eds.) Finding Democracy in Music. Musical Cultures of the Twentieth Century . Routledge . ISBN 9780367486921

Payne, E orcid.org/0000-0003-2109-8126 (2017) Recording Paraphrase: a 'social occasion'? In: Clarke, EF and Doffman, M, (eds.) Distributed Creativity: Collaboration and Improvisation in Contemporary Music. Studies in Musical Performance as Creative Practice, 2 . Oxford University Press , New York, NY, USA , pp. 181-183. ISBN 9780199355914

Conference or Workshop Item

Ferrada, M, Savic, S, Alessi, H et al. (18 more authors) (2021) Genotype and Transfusion Dependence Predicts Mortality in VEXAS Syndrome, a Newly Described Disease with Overlap Inflammatory and Hematologic Features. In: ACR Convergence 2021, 05-09 Nov 2021, Virtual.

Thomas, P and Payne, E orcid.org/0000-0003-2109-8126 (2017) Getting exercised: Ensemble relations in Christian Wolff’s Exercises. In: Finding Democracy in Music Conference, 04-05 Sep 2017, University of Huddersfield.

Payne, E (2014) Creativity and the social in performance: collaboration, interaction and distribution. In: Royal Musical Association Annual Research Students Conference, 06-08 Jan 2014, Birmingham, UK.

Payne, E (2014) Creativity within constraint? Perspectives on notated performance. In: AHRC Centre for Musical Performance as Creative Practice Performance Studies Network 3rd International Conference, 17-20 Jul 2014, University of Cambridge.

Payne, E (2014) Identity and creative ownership in collaboration: reassessing the composer-performer relationship. In: Identities - An Interdisciplinary Approach, International Graduate Student Conference, 23-25 Oct 2014, Istanbul, Turkey.

Payne, E (2014) The craft of musical performance: Creativity as skilled practice. In: Royal Geographical Society Annual International Conference, 26-29 Aug 2014, London, UK.

Thomas, P, Iddon, M, Melen, C et al. (1 more author) Documentary and digital approaches to performing John Cage’s Concert for Piano and Orchestra. In: Performance Studies Network 5th International Conference, 05-08 Jul 2018, Norwegian Academy of Music, Oslo.

Payne, E orcid.org/0000-0003-2109-8126 Ensemble dynamics in indeterminate music: A case study of John Cage’s Concert for Piano and Orchestra [invited paper]. In: The Newland Lecture Series, 29 Nov 2022, Hull.

Burland Clark, K orcid.org/0000-0003-0066-0132 and Payne, E orcid.org/0000-0003-2109-8126 Exploring performers’ perceptions of the audience-artist/artist-audience dynamic. In: Audience Research in the Arts Conference, 03-05 Jul 2019, University of Sheffield.

Payne, E orcid.org/0000-0003-2109-8126 and Burland, K Exploring the processes of the performer-audience dynamic. In: SEMPRE 50th Anniversary Conference, 02-03 Sep 2022, London, UK.

McLaughlin, S orcid.org/0000-0001-5869-1869, Benjamin, M and Payne, E orcid.org/0000-0003-2109-8126 Indeterminacy and control. In: Performance Studies Network 6th International Conference, 30 Jun - 03 Jul 2022, University of Surrey.

Burland, K and Payne, E orcid.org/0000-0003-2109-8126 ‘It could be something as simple as somebody tapping their foot’: Exploring musicians’ perceptions of the audience-artist/artist-audience dynamic. In: Performance Studies Network 6th International Conference, 30 Jun - 03 Jul 2022, University of Surrey.

Le Quan, N, Payne, E orcid.org/0000-0003-2109-8126 and Thomas, P John Cage’s Concert for Piano and Orchestra [Invited paper]. In: Improvisation et composition musicales: par-delà l’opposition entre notation et action, 21 Mar 2018, Ecole des Hautes Etudes en Sciences Sociales, Paris.

Payne, E orcid.org/0000-0003-2109-8126 ‘Time management’ in indeterminacy: The conductor as ‘chronometer’ in John Cage’s Concert for Piano and Orchestra [Invited paper]. In: Utrecht University Colloquia in the Musicologies, 09 May 2019, Utrecht University.

Payne, E orcid.org/0000-0003-2109-8126 and Iddon, M Towards a taxonomy of musical inaction. In: Music beyond fixity and fluidity; preservation and performance as instauration, 12-16 Sep 2022, Leiden, Netherlands.

Proceedings Paper

Payne, E orcid.org/0000-0003-2109-8126 (2018) ‘Time management’ in indeterminacy: The conductor as ‘chronometer’ in John Cage’s Concert for Piano and Orchestra. In: N/A. Oxford Conducting Institute International Conducting Studies Conference, 22-24 Jun 2018, University of Oxford. .

Payne, E orcid.org/0000-0003-2109-8126 and Thomas, P (2018) Ensemble interaction and group dynamics in indeterminate music: A case study of Christian Wolff’s Exercises. In: N/A. Together in Music Conference, 12-14 Apr 2018, National Centre for Early Music, York. .

Payne, E orcid.org/0000-0003-2109-8126, Iddon, M, Thomas, P et al. (1 more author) (2017) ‘… a solo or a part in an ensemble, symphony, or concerto’: documenting performer perspectives on John Cage’s Concert for Piano and Orchestra (1957–58). In: N/A. Tracking the Creative Process in Music International conference, 4th edition, 14-16 Sep 2017, University of Huddersfield. .

Payne, E orcid.org/0000-0003-2109-8126 (2016) Performing Cage’s Concert for Piano and Orchestra: A creative conundrum? In: N/A. Royal Musical Association Annual Conference, 03-05 Sep 2016, Guildhall School of Music and Drama. .

Payne, E orcid.org/0000-0003-2109-8126 (2016) Developing (and disrupting?) skilled practice: the historical basset clarinet in creative collaboration. In: N/A. Performance Studies Network 4th International Conference, 14-17 Jul 2016, Bath Spa University. .

Payne, E orcid.org/0000-0003-2109-8126, Iddon, M, Thomas, P et al. (1 more author) (2016) Performing at the limits: John Cage’s Solo for Piano. In: N/A. Performance Studies Network 4th International Conference, 14-17 Jul 2016, Bath Spa University. .

Payne, E orcid.org/0000-0003-2109-8126 (2016) Negotiating the borders of performance practice: An ecological approach to instrumental interaction in creative collaboration. In: N/A. Performing Knowledge Conference, 25 Apr 2016, Emmanuel College, Cambridge. .

Other

Thomas, P and Payne, E (2020) Interview about John Cage’s Concert for Piano and Orchestra, Music Matters, BBC Radio 3. BBC.