Stafford, A
(2014)
Raymond depardon and that photograph, beirut 1978.
Contemporary French and Francophone Studies, 18 (5).
pp. 559-567.
ISSN 1740-9292
Abstract
By considering the changing attitude of French photographer, Raymond Depardon, to his iconic action-shot from the war in central Beirut 1978, this article suggests that the Lebanese capital's fate over the last forty years plays a crucial role in Depardon's critique of photojournalism.
Metadata
Authors/Creators:
Stafford, A
Copyright, Publisher and Additional Information:
(c) 2014, Taylor & Francis. This is an Accepted Manuscript of an article published by Taylor & Francis in Contemporary French and Francophone Studies on 4 December 2014, available online: https://doi.org/10.1080/17409292.2014.976379
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