Provenance as a history of change: from Caliari in Scotland to Tintoretto in America: The commercial and connoisseurial trajectories of a Venetian portrait

Pezzini, B and Brennan, MG orcid.org/0000-0001-6310-9722 (2018) Provenance as a history of change: from Caliari in Scotland to Tintoretto in America: The commercial and connoisseurial trajectories of a Venetian portrait. Journal of the History of Collections, 30 (1). pp. 77-89. ISSN 0954-6650

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Authors/Creators:
Copyright, Publisher and Additional Information: © 2017, The Author(s). Published by Oxford University Press. This is a pre-copyedited, author-produced PDF of an article accepted for publication in Journal of the History of Collections following peer review. The version of record: Barbara Pezzini, Michael G Brennan; Provenance as a history of change: from Caliari in Scotland to Tintoretto in America: the commercial and connoisseurial trajectories of a Venetian portrait, Journal of the History of Collections, Volume 30, Issue 1, 9 March 2018, Pages 77–89, https://doi.org/10.1093/jhc/fhx002 is available online at: https://doi.org/10.1093/jhc/fhx002
Dates:
  • Published: 9 March 2018
  • Accepted: 31 January 2017
  • Published (online): 22 February 2017
Institution: The University of Leeds
Academic Units: The University of Leeds > Faculty of Arts (Leeds) > School of English (Leeds)
Depositing User: Symplectic Publications
Date Deposited: 07 Feb 2017 15:39
Last Modified: 19 Apr 2018 08:45
Status: Published
Publisher: Oxford University Press
Identification Number: https://doi.org/10.1093/jhc/fhx002

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Embargoed until: 22 February 2019

Filename: Provenance as a history of change AAM.pdf

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