Billy Elliot The Musical: visual representations of working-class masculinity and the all-singing, all-dancing bo[d]y

Rodosthenous, G. (2007) Billy Elliot The Musical: visual representations of working-class masculinity and the all-singing, all-dancing bo[d]y. Studies in Musical Theatre , 1 (3). pp. 275-292. ISSN 1750-3167

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Authors/Creators:
  • Rodosthenous, G. (g.rodosthenous@leeds.ac.uk)
Copyright, Publisher and Additional Information: © 2010 Intellect Ltd. This is an author produced version of a paper published in Studies in Musical Theatre. Uploaded in accordance with the publisher's self-archiving policy.
Keywords: Billy Elliot, Masculinity, male dancers, dancing musicals, representations of the male
Institution: The University of Leeds
Academic Units: The University of Leeds > Faculty of Performance, Visual Arts and Communications (Leeds) > Performance and Cultural Industries (Leeds)
Depositing User: Dr George Rodosthenous
Date Deposited: 11 Feb 2010 18:14
Last Modified: 08 Feb 2013 17:00
Published Version: http://dx.doi.org/10.1386/smt.1.3.275_1
Status: Published
Publisher: Intellect Ltd
Refereed: Yes
Identification Number: https://doi.org/10.1386/smt.1.3.275_1

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